Tuesday, October 7, 2014

"The House of War and Witness" by Mike, Linda and Louise Carey

"The House of War and Witness"
by Mike, Linda and Louise Carey
Publisher: Gollancz
Review copy received through the courtesy of the author Mike Carey

In the year 1740, with the whole of Europe balanced on the brink of war, a company of Austrian soldiers is sent to the village of Narutsin to defend the border with Prussia. But what should be a routine posting is quickly revealed to be anything but. The previous garrison is gone, the great house of Pokoj, where they're to be billeted, a dilapidated ruin, and the people of Narutsin sullen and belligerent. Convinced the villagers are keeping secrets - and possibly consorting with the enemy - the commanding officer orders his junior lieutenant, Klaes, to investigate.

While Klaes sifts through the villagers' truths, half-truths and lies, Drozde, the quartermaster's woman, is making uncomfortable discoveries of her own - about herself, her man, and the house where they've all been thrown together. Because far from being the empty shell it appears to be, Pokoj is actually teeming with people. It's just that they're all dead. And the dead know things - about Drozde, about the history of Pokoj, and about the terrible event that is rushing towards them all, seemingly unstoppable.

The ghosts of Pokoj, the soldiers of the empress and the villagers of Narutsin are about to find themselves actors in a story that has been unfolding for centuries. It will end in blood - that much is written - but how much blood will depend on Klaes' honour, Drozde's skill and courage, and the keeping of an impossible promise . . .

It was “The Talisman”, the collaborative novel of Stephen King and Peter Straub, which made me consider such joint projects with great interest and fascination. Years later, I had the pleasant surprise of discovering a book written in three, “The Steel Seraglio” by Mike, Linda and Louise Carey. Of course, it was not only my curiosity for such endeavors, but as it was the case with Stephen King and Peter Straub’s “The Talisman”, my previous experience with Mike Carey’s writing was part of my attraction to this novel. Since “The Steel Seraglio”, or “The City of Silk and Steel”, as the novel was published in the UK, nothing much changed in my consideration for Mike Carey’s writings, I look at them with the same excitement, perhaps even with a little more. But it did change the list of authors I follow with interest adding among all those favorite writers of mine the team Mike forms with his wife and daughter, Linda and Louise. It wasn’t long before I welcomed another title from the said team, Mike, Linda and Louise Carey joined forces again and published a second collaborative novel, “The House of War and Witness”, two years after their first one.

It is the year 1740 and following Maria Theresa’s succession to the throne of the House Monarchy war is looming over Europe. A small company of Habsburg soldiers is sent to the border with Prussia, next to the small town of Narutsin, as a precaution in the eventuality of war. Upon arriving to the great house, Pokoj, where they are billeted Colonel August and his company found no trace of the militia previously garrisoned here and are led to believe that the villagers of Narutsin are holding secrets. Colonel August assigns a junior officer, Lieutenant Klaes, to investigate the matter and to uncover the truths the villagers keep hidden. At the same time, Drozde, a puppeteer part of the company’s followers, protected by the quartermaster Molebacher, discovers that Pokoj, the house where they’re stationed holds some secrets of its own. An entire host of ghosts along with them too and Drozde will begin soon to learn most of their stories, some of them with consequences on the company’s presence near Narutsin and the Prussian border.

The Careys place their new story on the brink of the first Silesian Wars in a village at the border of Austria with Prussia, but it is not the historical event that takes precedence within “The House of War and Witness”. They do capture some of the atmosphere, to the village are given nice specific details, the villagers are caught in a situation where survival is more important than the official delimitations between countries, the distinct company’s life, with some characteristics of the Austrian army at the time, such as the presence of soldiers gathered from all the empire’s corners within the company or the shadow of the recent defeats against the Ottoman Empire still weighting on the minds of the officers and troops. But it is the story of humanity and human beings at the core of the novel. A tale of the shining moments and the ugly face of human behavior, of best and worse in human nature, of selfish and selfless acts. Every emotion from joy to tears is captured within the pages of “The House of War and Witness”.

Mike, Linda and Louise Carey’s novel is seen through the eyes of two major characters, Drozde, the gypsy puppeteer, and Lieutenant Klaes, the junior officer of the company, masterfully built in a stellar characterization. As a matter of fact, I find Drozde to be one of the best fictional characters I’ve encountered in my readings. And it is such a rare sight in fantasy genre, a female character portrayed strongly and vividly, as Drozde is, it is unfortunately an uncommon treasure. It is very true, the Careys have done it before with the impressive, powerful cast of “The Steel Seraglio”/“The City of Silk and Steel”, but with Drozde they matched and topped extremely well that performance. With Drozde they conquer every little piece that makes a character, there is a solid groundwork behind this personage to be discover scratching the shallow perception of others. At the first glance Drozde is just one more woman of the ones with easy virtues following the company, but she is certainly more than that. She is a strong survivor, pragmatic and talented, a craftswoman with unique abilities and qualities. Drozde is also tough, but without losing any slice of her compassion. One of the most memorable characters of my readings.

Lieutenant Klaes is an oddball within the army corps, inclined more towards intellectual reflection rather than mindless action required from his superiors, Klaes is often caught between his principles and his training. Conflicted and uncertain at times, Wolfgang Klaes doesn’t come as fully rounded as Drozde at first, but grows with each new chapter until he becomes another strong presence within the story. As are all the other characters of “The House of War and Witness”, from the ones that have an important presence in the tale to those with the flimsiest of appearances. This ability to transform each and every single one of the characters into powerful, meaningful appearances demonstrates the potent ability of Mike, Linda and Louise Carey to instill life in the entire cast of the novel and make it believable to the smallest of details, proving they are master puppeteers, as is their leading character, Drozde. There are plenty of examples to be had, but in order not to stretch the space of this review too much let’s look at Lieutenant Tusimov for a bit, a character with something to say within the plot, but with only occasional appearances.

“Tusimov liked glory, and the radiant furniture of military adventure. But he was greatly deficient in physical courage, by means of which glory is usually procured. His beguiling fantasy, in moments of leisure, was a commendation for valour won without any personal risk at all. In the absence of that, he was happy to find himself defending a position that was unlikely to be attacked.”

It is a paragraph that showcases the treatment received by the personages of the novel even if their importance in the outcome of the story has greater or lesser significance. Taken individually each major or minor character is represented lively and vividly, but it is not only from here their authentic portrayal draws energy, but also from the excellent interaction they have with the other. The relationships and contacts made by various characters of “The House of War and Witness” are sturdy, making all the scenes feel natural. It is yet another demonstration of the authors’ ability of making their cast perform as seen in the most exquisite theatre plays.

The story of “The House of War and Witness” starts and develops slowly, it takes a little time and several chapters to get it going. It is not a critique, the Careys create ambiance and lay the foundation for the plot to unravel in a pleasant and captivating manner. The story moves at a foot’s pace in the beginning but it does so without stranding the reader to a forced march, it carefully constructs an interesting and mysterious plot. Even more, it insidiously crawls in the reader’s mind and soul until the registration of the plot unraveling is felt with every fiber. As it was for me chapter 27, for instance, the moment in which the point of the story that comes with the most emotional and effective impact. The story gathers speed constantly and gradually until it becomes a breathtaking run toward the final outcome. There is another element within “The House of War and Witness” that in the onset it appears to stray away from the main plot, Drozde discovering the ghosts of Pokoj and the ritual of listening to their stories seems at first detached from the essential story line. However, it proves to be just an impression, the significance of the stories is uncovered at the time when it connects perfectly with the entire plot. All the pieces involving the ghosts of Pokoj fall in place at the right moment, rendering credibility to the way the story unfolds. There is another aspect resulting from this side of Drozde’s tale, nobody is the owner of the universal truth within “The House of War and Witness”, there is no heaven or hell beyond the ones created by the human beings. It is also part of the comforting zone of the novel, Mike, Linda and Louise Carey’s book is very dark, but it is balanced nicely with the brighter elements. After all, we cannot have light without shadows and shadows without light.

“The Steel Seraglio”/“The City of Silk and Steel” was a delightful novel, a cracking parade of a powerful team of writers. With “The House of War and Witness” the teamwork of Mike, Linda and Louise Carey becomes stronger, their joint efforts coagulated even more. It leaves me wondering what their next collaborative novel would look like.

Monday, October 6, 2014

2014 Premios Nocte nominees

Asociación Española de Autores de Narrativa de Terror (The Spanish Horror Writers Association) has announced the nominees for the 2014 Premios Nocte, the award recognizing the merits of Spanish horror works published throughout a year. The winners of the 2014 Premios Nocte will be announced during Semana Gótica de Madrid (The Gothic Week of Madrid) on October 31st in a ceremony held at The National Museum of Romanticism in Madrid.

BEST NATIONAL NOVEL

El hombre que nunca sacrificaba las gallinas Viejas (The Man Who Never Sacrificed Old Hens)  by Darío Vilas (Tyrannosaurus books)

Los nombres muertos (The Dead Names) by Jesús Cañadas (Fantascy)

BEST NATIONAL SHORT STORY

Axol (Axol) by Fernando Cámara (Anatomías secretas / Nostrum)

Caramelitos de fresa (Strawberry Candies) by Ignacio Cid Hermoso (Fantasmagoria / Tombooktu)

Espina de Cristo (Christ’s Spine) by José Luis Cantos (Calabazas en el Trastero: Supersticiones / Saco de huesos)

La mirada del Dodo (Dodo’s Gaze) by José María Tamparillas (Anatomías secretas / Nostrum)

Los que vuelven (Those Who Return) by Matías Candeira (Todo irá bien / Salto de Página)

BEST NATIONAL ANTHOLOGY

Áireán (Aerify) by Ángel Luis Sucasas (Sportula)

Schadenfreude (La furia) (Schadenfreude - The Fury) by Óscar Pérez Varela (Almuzara)

Umbría (Umbria) by Santiago Eximeno (El humo del escritor)

BEST TRANSLATED BOOK

El ritual (The Ritual) by Adam Nevill (Minotauro)

Joyland (Joyland) by Stephen King (Mondadori)

La Casa de Hojas (The House of Leaves) by Mark Z. Danielewski (Alpha Decay)

Congratulations and good luck to all the nominees!

Friday, October 3, 2014

Happy Anniversary, Beneath Ceaseless Skies!

One of my favorite magazines, Beneath Ceaseless Skies, celebrates its 6th anniversary this month. At every two weeks since October 9th, 2008, I visited with more and more delight Beneath Ceaseless Skies, the magazine becoming one of my constant sources of quality short fiction. And over the passing years I was thrilled to see some of my favorite writers publishing stories within the pages of Beneath Ceaseless Skies (Aliette de Bodard, Helen Marshall or Genevieve Valentine), to discover some new talented ones (Alex Dally MacFarlane or E. Catherine Tobler) and to add several such tales to my list of favorites (“Golden Daughter, Stone Wife” by Benjanun Sriduangkaew, “Boat in Shadow, Crossing” by Tori Truslow or “Kingspeaker” by Marie Brennan). To mark this anniversary, at the beginning of this month, Beneath Ceaseless Skies releases a double issue, four stories of which two were published yesterday, “The Sorrow of Rain” by Richard Parks and “The Moon Over Red Trees” by Aliette de Bodard, and two due to be published on October 9th, “Heaven Thunders the Truth” by K.J. Parker and “Butterfly House” by Gwendolyn Clare. I have plenty of reasons to bask in this celebration, not only because Beneath Ceaseless Skies is one of my favorite magazines, but also because it brings two new stories from Aliette de Bodard and K.J. Parker, two writers for whom I have nothing but respect and whose works I read brought me every time great delight. I wish Beneath Ceaseless Skies a warm happy anniversary and hoping to see it at many more such celebrations to come!

As an aside note, since I have already mentioned K.J. Parker, I hardly can restrain myself not to point two more stories from this excellent author available online nowadays, “The Things We Do For Love” on Subterranean Online and “A Rich, Full Week” on Clarkesworld Magazine.

Wednesday, October 1, 2014

"The Blue Elves’ Crystal" (Elves, Volume 1) by Jean-Luc Istin (script), Kyko Duarte (artist) & Diogo Saïto (colors)

“The Blue Elves’ Crystal” (Elves, Volume 1) / "Le Crystal des Elfes Bleus"
by Jean-Luc Istin (script), Kyko Duarte (artist) & Diogo Saïto (colors)
Publisher: Soleil Productions
The review is based on bought copy of the book

I could trace my love for the elves to my first fantasy books that landed on my reading table, J.R.R. Tolkien’s “The Lord of the Rings” and R.A. Salvatore’s “Dark Elf” novels. Or I could go further back in time and discover that this trail begins with the German fairy tales I enjoyed in my childhood years. Nonetheless, the attraction remains as strong as in those magical times and I find myself unable to resist to books such as it is Jean-Luc Istin and Kyko Duarte’s “The Blue Elves’ Crystal”.

Returning from a journey the blue elf Lanawyn and her human friend Turin reach the city of Ennlya only to discover that all its inhabitants have been killed. The evidence they uncover points towards the human clan of Yrlanis as responsible for the atrocity. At the same time, in the island city of Elsémur, Vaalann, a young blue elf, appears to be the chosen of whom an old prophecy speaks of, the one who will control the powerful blue elves’ crystal.

Jean-Luc Istin’s “The Blue Elves’ Crystal” is not a groundbreaking story, most of its elements are very familiar. But if this tale doesn’t score points for originality, it still delivers an interesting and entertaining story. Two arcs go in parallel for the most part of the graphic novel, the criminal investigation in the Ennlya’s massacre and Vaalann’s attempt in fulfilling the blue elves’ old prophecy. The alternation between the two makes the intrigue work better, provides good suspense and allows the plot to accumulate enough mystery for the final twist to be effective. Blood runs hot within the story as well, there is plenty of action to be had, both on grander and smaller scales, some tense encounters and presence of mythical creatures that quicken the pace nicely and add something extra to the tale.

The characters are pleasant as well. “The Blue Elves’ Crystal” 54 pages does not offer much space for the characters to develop properly, but they still manage to be lively to a certain extent. Little elements of their personalities make themselves present and the reader can guess a couple of other aspects regarding the characters from here. They are not memorable, but there is no regret in spending time in their company either.

The liveliness of the characters gains potency from the drawings of Kyko Duarte as well. His art is wonderful, the personalities and emotions well captured in all the characters, the scenes captivating and the landscapes and locations represented wonderfully. Kyko Duarte’s art complements successfully the story, it intensifies the enjoyment of this little graphic novel and provides some splendid frameworks. The minor details tend to get blurred into a mass within a couple of cadres, but that might be put on perfectionist demands rather than the fault of the artist. The overall result obtained by Kyko Duarte with each frame is nothing but satisfying.

I pursued my attraction for the elves to Jean-Luc Istin and Kyko Duarte’s comic book and I feel no disappointment in doing so. “The Blue Elves’ Crystal” is an epic fantasy that doesn’t defy the standards and does not challenge the reader, but it is a fun and relaxing story. And since this is the first comics in a series of independent stories set in a universe of elves I hope that the next volumes would keep fueling the joy of reading kindled by “The Blue Elves’ Crystal”.

Tuesday, September 30, 2014

2014 Utopiales European Award nominees

This year, during Utopiales, the annual international science fiction festival held in Nantes, France, the winner of the Utopiales European Award will be announced. The Utopiales European Award is at its 6th edition and rewards a novel or a collection, published in French, during the literary season preceding the Utopiales festival, by a European speculative fiction author. This year’s prize has a cash value of 2000 euros and the jury includes Jean-Pierre Dionnet (writer, scriptwriter and journalist), Florence Porcel (writer, journalist and actress) and Guillaume Choplin (reader). The award ceremony will be held on Saturday, November 1st.


“7 secondes pour devenir un aigle” (7 Seconds to Become an Eagle) by Thomas Day (Éditions Le Bélial)

“Juste à temps” (Just in Time) by Philippe Curval (Éditions La Volte)

“L’Opéra de Shaya” (Shaya’s Opera) by Sylvie Lainé (Éditions Actusf)

“La longue terre” (The Long Earth) by Terry Pratchett and Stephen Baxter (Éditions L’Atalante)

“Sumerki” (Dusk) by Dmitry Glukhovsky (Éditions L’Atalante)

Congratulations and good luck to all the nominees!

Friday, September 26, 2014

Cover art - "Half a King" by Joe Abercrombie (French edition)

French edition, published by Bragelonne
I’ve noticed a tendency towards simplification when it comes to some of nowadays’ book covers. A basic concept springs forth, with some degree of success I guess, and immediately after that it seems that one idea, with slight changes, is put on the repeat. I am afraid there is no magic for me in most of these cases. Joe Abercrombie’s recently released novel is one such example, I found no appeal for the covers of “Half a King” US and UK editions. Perhaps the UK edition has something extra, but not much, in my opinion, neither of them has a story to tell, neither of them flirts with me, lacking the allure that usually sends me trotting to check the statement of my bank account in order to see if one more book acquisition, for the sole sake of the cover artwork, might be viable. The situation is redeemed a little by Subterranean Press, their limited edition of Joe Abercrombie’s “Half a King” is adorned with a wonderful cover and interior illustrations by Jon McCoy. But as it is the matter with majority of Subterranean Press’ excellent produced books, going for a copy of that edition would demand a heavy toll from the said bank account. However, since we are talking about book covers, not book acquisitions, I have nothing by admiration for Subterranean Press’ choice of artwork in this case. Even more so when I look upon the choice made by Bragelonne for the cover of Joe Abercrombie’s “Half a King” French edition. Yes, it is a French edition again, and yes, it is the same excellent art department of Bragelonne that make me wish I had a bigger financial power and endless space for my personal library just to be able to put this book, with this cover, on the bookshelves. Responsible for this beauty is yet again Didier Graffet and the David Gemmel Award winning team behind three other Joe Abercrombie’s book covers, the UK editions of “Best Served Cold”, “The Heroes” and “Red Country”. I do believe that Didier Graffet captured perfectly some of the essence of the story and has created a painting that not only is a great companion for the novel, but it also stands proudly tall on its own. One that I wish to see more on books instead of those that could be gathered in a tight group of similar covers.

UK edition, published by Harper Voyager

US edition, published by Del Rey

Limited edition, published by Subterranean Press

Thursday, September 25, 2014

2014 Premio Minotauro finalists

The finalists of the 11th edition of Premio Minotauro (El Premio Internacional de Ciencia Ficción y Literatura Fantástica de Ediciones Minotauro), the most prestigious award for an unpublished speculative fiction novel by a Spanish or Latin American author, have been announced. For the first time the winner of Premio Minotauro will be announced during Sitges, the International Fantastic Film Festival, held between 3rd and 12th October (a change of venue surrounded by controversy and debate). The members of the jury for the 2014 Premio Minotauro are Adrián Guerra (producer), Ángel Sala (the director of the Sitges Film Festival), Marcela Serras (editorial director of Minotauro), Javier Sierra (writer) and Carlos Sisí (writer and winner of the 2013 Premio Minotauro) and they’ll announce the winner on October 7th.

“¿Cuál es tu lucha?” (What is Your Fight?) by Griot (pseudonym)
“Cuéntame un cuento japonés mientras el mundo se acaba” (Tell Me a Japanese Story While the World is Ending) by Maria Antònia Martí
“Hermana noche” (Sister Night) by Morgenstern (pseudonym)
“Hugo Lémur y los ladrones de sueños” (Hugo Lémur and the Dream Thieves) by Luis Manuel Ruiz
“Por los ojos del elegido” (By the Eyes of the Chosen) by Isabel Belmonte

For the 11th edition of Premio Minotauro a total of 450 manuscripts have been received (the previous edition had 590 manuscripts in competition). 411 from 450 have been sent in electronic format, most of them have been submitted from Spain, 282, followed by Latin America, 150, especially Argentina, 55, and Mexico, 32. The majority of the submitted manuscripts are science fiction works, while the epic fantasy was in a decreasing tendency. As part of the prize the winner will receive 10,000 euro and the respective novel will be published by Ediciones Minotauro, due to be released on 28th October.

The previous winners of the Premio Minotauro are:

2004 – “Máscaras de matar” (Masks of killing) by León Arsenal
2005 – “Los sicarios del cielo” (The assassins of Heaven) by Rodolfo Martínez
2006 – “Señores del Olimpo” (Lords of Olympus) by Javier Negrete
2007 – “Gothika” by Clara Tahoces
2008 – “El libro de Nobac” (The book of Nobac) by Federico Fernández Giordano
2009 – “El Templo de la Luna” (The temple of the moon) by Fernando J. López del Oso
2010 – “Crónicas del Multiverso” (Chronicles of the multiverse) by Víctor Conde
2011 – “Ciudad sin estrellas” (City without stars) by Montse de Paz
2012 – “La Torre Prohibida” (The Forbidden Tower) by David Zurdo and Ángel Gutiérrez
2013 – “Panteón” (Pantheon) by Carlos Sisí

Congratulations and good luck to all the nominees!