I loved Aliette de
Bodard’s “On a Red Station, Drifting”,
it is a wonderful and touching story, but I still hold a regret at the time of
my first reading of this short novel. I believed, and I still do, that the
cover artwork for the hardcover edition of “On a Red Station, Drifting” was no
match for the beauty of the novella. I felt that with more effort the cover
could have been better, as it is proved by the artwork of the ebook edition. A
far better choice and a more representative and engaging one. And since I do
like quite a bit the books in physical form, especially those volumes I loved
reading and cherish because of it, I do love them with beautiful cover
artworks. Even more so considering that the cover of an ebook is easily left
behind after opening the file, while that of a physical edition is met by the
eye each time the reader picks up the respective book. Well, it seems that Aliette
de Bodard’s “On a Red Station, Drifting” has the chance to have the beautiful
cover of the ebook edition on a printed volume as well. Aliette de Bodard is
publishing a new printed edition of “On a Red Station, Drifting” through Createspace
and this volume comes with the cover designed by Nhan Y Doanh for the ebook
edition. And since we are at this chapter, here is also the cover artwork for
the Spanish edition of “On a Red Station, Drifitng”, published by Fata Libelli
at the end of the year. The artist Omar Moreno went on a different road with
his cover, coming with a more simple approach, more suited for the publisher’s
line of book covers.
Wednesday, October 22, 2014
Tuesday, October 21, 2014
"The Invincible Sun" by K.J. Parker on the horizon
I
find K.J. Parker to be one of the
best and most original fantasy writers, her/his works have always surprised and
thrilled me. And the form of the said works has little relevance, no matter if
it is a series or a stand-alone novel, a novella or a short story, fiction or
non-fiction K.J. Parker excels with every single one of them. Therefore each piece
of news about a new book or short story signed by this excellent writer brings
me nothing but delight, as it is the one hinting at K.J. Parker’s new novel.
With a release date set for February 2015 “The
Invincible Sun” is the first novel in a new trilogy by K.J. Parker. There
is not much more information to be had at the moment and even the scarce one
surfaced so far is pretty general.
The first in a epic trilogy from the acclaimed author
of Sharps. K.J. Parker's new series is a perfectly executed tale of intrigue
and deception that will leave you breathless. THE INVINCIBLE SUN tells the
story of an empire. With an extraordinary cast of characters, from soldier and
generals to politics and princes, THE INVINCIBLE SUN will appeal to a broad
range of fantasy readers and is destined to become a landmark work in the
genre.
However, I am certain there
is nothing of standard issue about K.J. Parker’s “The Invincible Sun”. After
all, I don’t have only my preference for K.J. Parker’s works to back me up, but
also the short stories sharing the same universe as the upcoming novel. Three
of which can be enjoyed for free online, “Amor Vincit Omnia”, “One Little Room an Everywhere” and “The Sun and I”,
with the last one depicting the birth of the religion of the Invincible Sun.
For me, K.J. Parker’s “The
Invincible Sun” is the most anticipated book of February 2015.
Friday, October 17, 2014
Cover art - "Aickman's Heirs" edited by Simon Strantzas
I
must admit that I am not very familiar with Robert Aickman’s fiction, besides a couple of short stories I didn’t
get many chances to read his works. However, I have full confidence in Undertow Books and Michael Kelly, my experience with “Shadows & Tall Trees” magazine has been nothing by the best,
while the first volume of “Year’s Best
Weird Fiction”, the latest release of this small publishing house, looks
extremely promising. You may rightfully ask why I am talking about these two.
Well, Undertow Books recently announced its next scheduled book, “Aickman’s Heirs”, edited by Simon Strantzas and due to be released
on spring 2015. As the title suggests this collection of short stories is
dedicated to Robert Aickman and his influence on the weird fiction and, like I
said, while I am not familiar with his works I am very interested to see what Undertow
Books has in store with this title. Not only that, but although there are not
many more pieces of information about this anthology at the moment the cover
artwork for “Aickman’s Heirs” sparked my imagination instantly and made it go
wild. Born from the talented brush of Yaroslav Gerzhedovich this is one of
the most evocative covers I’ve seen lately, deeply atmospheric and utterly enthralling.
Creating a complete story by itself Yaroslav Gerzhedovich’s artwork spellbound
me into profound admiration. Add the excellent lettering and the final result
is absolutely wonderful.
Speaking
of Robert Aickman and cover artwork, Faber & Faber published this year new
editions of four of Robert Aickman’s short stories collections, “Dark Entries”, “The Unsettled Dust”, “Cold
Hand in Mine” and “The Wine-Dark Sea”,
with some excellent covers as well. A bit more crowded than “Aickman’s Heirs”
but very good nonetheless.
Wednesday, October 15, 2014
Vincent Chong's limited edition prints sale
![]() |
© Vincent Chong & Subterranean Press
|
Vincent
Chong, one of the favorite artists around this blog, launched a
sale on all limited edition prints born from his very talented hands. Starting
this week until December 31st the price of the limited edition
prints drops with 25%. These include the wraparound dusk jacket art made by
Vincent Chong for the limited edition Stephen King’s “The Shining”, but also
several other cover artworks for limited editions of Stephen King’s “Doctor
Sleep”, Joe Hill and Gabriel Rodriguez’s “Locke & Key: Crown of Shadows”,
China Miéville’s “Embassytown” or Martin Livings’ “Living with the Dead” among
them. If you like to have one of these limited edition prints you can find all
the available ones and more details about Vincent Chong’s sale on his personal website.
Monday, October 13, 2014
Table of contents - "The Year's Best Australian Fantasy and Horror 2013" edited by Liz Grzyb & Talie Helene
As
June came and go, with the initial release date of “The Year’s Best Australian Fantasy and Horror” fourth volume passing
together with it without any news whatsoever about the 2013 collection, I was
afraid that this excellent anthology had the faith of other several short
fiction venues I loved. I understand that short fiction market is a very
difficult one, such stories are harder to sell than novels, but I am still
deeply saddened when these hardships lead to the disappearance of magazines or
anthology series, such as “The Year’s Best Australian Fantasy and Horror”,
excellent sources of wonderful stories and opportunities of discovering new,
talented writers. With not only June passing by, but also July, August and September,
in the face of “The Year’s Best Australian Fantasy and Horror” ceasing its existence
my sadness turned into resignation, only to lead to a heightened joy when news
of the fourth volume’s release finally broke forth. Delayed for quite a bit it
is a relief to learn that “The Year’s
Best Australian Fantasy and Horror 2013” is going to be released by
Ticonderoga Publications in late November this year, it is a joy to see another strong line-up assembled the editors Liz
Grzyb and Talie Helene, with my favorites
Kaaron Warren, Deborah Biancotti and Angela
Slatter making another appearance on this annual series of anthologies, and
an absolute delight to discover that this wonderful, yearly collection of
Australia’s and New Zealand’s finest short stories will add at least three more volumes
to the four already published. For me these are as many reasons for
celebration, because I do believe it would have been a shame to see this
amazing series of year’s best anthologies going into oblivion.
“Disciple of the Torrent” by Lee Battersby (Tales of Australia: Great Southern Land)
“All the Lost Ones” by Deborah Biancotti (Exotic Gothic 5 Vol I)
“Camp Follower” by Trudi Canavan (Fearsome Journeys)
“Glasskin” by Robert G. Cook (Review of Australian Fiction Vol 5 #6)
“The Ways of the Wyrding Women” by Rowena Cory Daniells (One Small Step)
“The Sleepover” by Terry Dowling (Exotic Gothic 5 Vol II)
“After Hours” by Thoraiya Dyer (Asymmetry)
“A Castle in Toorak” by Marion Halligan (Griffith Review #42)
“The Boy by the Gate” by Dmetri Kakmi (The New Gothic)
“Harry's Dead Poodle” by David Kernot (Cover of Darkness Magazine)
“Black Swan Event” by Margo Lanagan (Griffith Review #42)
“Poppies” by S.G. Larner (Aurealis #65)
“La Mort d'un Roturer” by Martin Livings (This is How You Die)
“Caution: Contains Small Parts” by Kirstyn McDermott (Caution: Contains Small Parts)
“The Ninety Two” by Claire McKenna (Next)
“The Nest” by C.S. McMullen (Nightmare
Magazine)
“By Bone-Light” by Juliet Marillier (Prickle Moon)
“Old Souls” by David Thomas Moore (The Book of the Dead)
“The Oblivion Box” by Faith Mudge (Dreaming of Djinn)
“Sticks and Stones” by Ryan O'Neill (The Great Unknown)
“Almost Beautiful” by Angela Rega (Next)
“The Raven and Her Victory” by Tansy Rayner Roberts (Where Thy Dark Eye Glances: Queering Edgar Allan Poe)
“On the Wall” by Nicky Rowlands (Next)
“The Silence of Clockwork” by Carol Ryles (Conflux 9 Convention Programme)
“Flight” by Angela Slatter (Once Upon
a Time: New Fairy Tales)
“Bowfin Island” by Anna Tambour (Caledonia Dreamin')
“Born and Bread” by Kaaron Warren (Once Upon a Time: New Fairy Tales)
“Hell is Where the Heart is” by Janeen Webb (Next)
Wednesday, October 8, 2014
Premio Minotauro 2014
Yesterday,
in a ceremony held in Sitges, during the 47th edition of the International Fantastic Film Festival of Catalonia, the winner of the Premio Minotauro, the International Science Fiction and Fantasy Literature Award, has been announced. The jury of the 11th edition of Premio Minotauro,
formed by Adrián Guerra (producer), Ángel Sala
(the director of the Sitges Film Festival), Marcela Serras (editorial director
of Minotauro), Javier Sierra (writer) and Carlos Sisí (writer and winner of the
2013 Premio Minotauro), elected from a total of 450 manuscripts Carlos Molinero’s novel, “Verano de Miedo” (Summer of Fear), as the winner (submitted under the false title “Hermana
Noche” (Sister Night), signed with the pseudonym Morgenstern). As usual,
besides the prize of 10,000 euros received by the winner, the novel will be
published by Ediciones Minotauro and it is due to be released on 28th
October.
When his mother
announces him that he’ll spend the summer melting his vacation in Vega Alta,
the village of his grandmother, the first thought that passes through Juan’s
mind is that he is going to die of boredom. But the construction of some villas
in the outskirts of the village unearths a blood thirsty creature that from
this point forward makes boredom impossible. Dying is another matter.
Juan faces the threat
of the vampire together with Eva, an obese Goth girl, and Jairo, a former child
lay brother of San Ildefonso. Against his inferior conditions he decides to use
information as weapon, so he starts to write on his blog all the terrible
things that are happening in Vega Alta. With only this he gets someone’s attention:
the risen vampire who has a hard to imagine plan for Vega Alta…
“Summer of Fear” is
not only a quick and refreshing novel, but also a homage of the classics of
horror and of those summers, bloody or not, that change our lives.
![]() |
Photo – SITGES, Festival Internacional
de Cinema Fantàstic de Catalunya
|
Carlos Molinero won in 2002,
together with Lola Salvador, Clara Pérez Escrivá and Jorge Juan Martínez, the
Goya Award for the best adapted screenplay for “Salvajes” (Savages), based on
the homonym theatre play. In 2007 he directed, together with Lola Salvador, the
documentary “La niebla de las palmeras” (The Mist in the Palm Trees). He wrote
screenplays for TV series such as “Querido maestro” (Dear Teacher), “Paco y
Veva” (Paco and Veva), “El comisario” (The Deputy), “La fuga” (The Escape), “Cuéntame”
(Tell Me) or “Alatriste” (Alatriste). He is also the author of various short
plays, in addition to “Verónica”, a piece of spiritualistic horror. (bio presented by Fantasymundo)
Congratulations!
Tuesday, October 7, 2014
"The House of War and Witness" by Mike, Linda and Louise Carey
"The House of War and Witness"
by Mike, Linda and Louise Carey
Publisher: Gollancz
Review copy received through the courtesy of the author Mike Carey
In the year 1740, with the whole of Europe balanced on the brink of war,
a company of Austrian soldiers is sent to the village of Narutsin to defend the
border with Prussia. But what should be a routine posting is quickly revealed
to be anything but. The previous garrison is gone, the great house of Pokoj,
where they're to be billeted, a dilapidated ruin, and the people of Narutsin
sullen and belligerent. Convinced the villagers are keeping secrets - and
possibly consorting with the enemy - the commanding officer orders his junior
lieutenant, Klaes, to investigate.
While Klaes sifts through the villagers' truths, half-truths and lies,
Drozde, the quartermaster's woman, is making uncomfortable discoveries of her
own - about herself, her man, and the house where they've all been thrown
together. Because far from being the empty shell it appears to be, Pokoj is
actually teeming with people. It's just that they're all dead. And the dead
know things - about Drozde, about the history of Pokoj, and about the terrible
event that is rushing towards them all, seemingly unstoppable.
The ghosts of Pokoj, the soldiers of the empress and the villagers of
Narutsin are about to find themselves actors in a story that has been unfolding
for centuries. It will end in blood - that much is written - but how much blood
will depend on Klaes' honour, Drozde's skill and courage, and the keeping of an
impossible promise . . .
It
was “The Talisman”, the
collaborative novel of Stephen King
and Peter Straub, which made me
consider such joint projects with great interest and fascination. Years later,
I had the pleasant surprise of discovering a book written in three, “The Steel Seraglio” by Mike, Linda and Louise Carey.
Of course, it was not only my curiosity for such endeavors, but as it was the
case with Stephen King and Peter Straub’s “The Talisman”, my previous experience with Mike Carey’s writing was part of my attraction to this novel. Since
“The Steel Seraglio”, or “The City of Silk and Steel”, as the
novel was published in the UK, nothing much changed in my consideration for Mike Carey’s writings, I look at them with
the same excitement, perhaps even with a little more. But it did change the
list of authors I follow with interest adding among all those favorite writers
of mine the team Mike forms with his
wife and daughter, Linda and Louise. It wasn’t long before I
welcomed another title from the said team, Mike,
Linda and Louise Carey joined forces again and published a second
collaborative novel, “The House of War
and Witness”, two years after their first one.
It
is the year 1740 and following Maria Theresa’s succession to the throne of the
House Monarchy war is looming over Europe. A small company of Habsburg soldiers
is sent to the border with Prussia, next to the small town of Narutsin, as a
precaution in the eventuality of war. Upon arriving to the great house, Pokoj,
where they are billeted Colonel August and his company found no trace of the
militia previously garrisoned here and are led to believe that the villagers of
Narutsin are holding secrets. Colonel August assigns a junior officer,
Lieutenant Klaes, to investigate the matter and to uncover the truths the
villagers keep hidden. At the same time, Drozde, a puppeteer part of the
company’s followers, protected by the quartermaster Molebacher, discovers that
Pokoj, the house where they’re stationed holds some secrets of its own. An
entire host of ghosts along with them too and Drozde will begin soon to learn
most of their stories, some of them with consequences on the company’s presence
near Narutsin and the Prussian border.
The
Careys place their new story on the brink of the first Silesian Wars in a
village at the border of Austria with Prussia, but it is not the historical
event that takes precedence within “The House of War and Witness”. They do
capture some of the atmosphere, to the village are given nice specific details,
the villagers are caught in a situation where survival is more important than
the official delimitations between countries, the distinct company’s life, with
some characteristics of the Austrian army at the time, such as the presence of soldiers
gathered from all the empire’s corners within the company or the shadow of the
recent defeats against the Ottoman Empire still weighting on the minds of the
officers and troops. But it is the story of humanity and human beings at the
core of the novel. A tale of the shining moments and the ugly face of human behavior,
of best and worse in human nature, of selfish and selfless acts. Every emotion
from joy to tears is captured within the pages of “The House of War and Witness”.
Mike,
Linda and Louise Carey’s novel is seen through the eyes of two major
characters, Drozde, the gypsy puppeteer, and Lieutenant Klaes, the junior
officer of the company, masterfully built in a stellar characterization. As a
matter of fact, I find Drozde to be one of the best fictional characters I’ve
encountered in my readings. And it is such a rare sight in fantasy genre, a female
character portrayed strongly and vividly, as Drozde is, it is unfortunately an
uncommon treasure. It is very true, the Careys have done it before with the
impressive, powerful cast of “The Steel Seraglio”/“The City of Silk and Steel”,
but with Drozde they matched and topped extremely well that performance. With
Drozde they conquer every little piece that makes a character, there is a solid
groundwork behind this personage to be discover scratching the shallow
perception of others. At the first glance Drozde is just one more woman of the
ones with easy virtues following the company, but she is certainly more than
that. She is a strong survivor, pragmatic and talented, a craftswoman with
unique abilities and qualities. Drozde is also tough, but without losing any
slice of her compassion. One of the most memorable characters of my readings.
Lieutenant
Klaes is an oddball within the army corps, inclined more towards intellectual reflection
rather than mindless action required from his superiors, Klaes is often caught
between his principles and his training. Conflicted and uncertain at times, Wolfgang
Klaes doesn’t come as fully rounded as Drozde at first, but grows with each new
chapter until he becomes another strong presence within the story. As are all
the other characters of “The House of War and Witness”, from the ones that have
an important presence in the tale to those with the flimsiest of appearances.
This ability to transform each and every single one of the characters into
powerful, meaningful appearances demonstrates the potent ability of Mike, Linda
and Louise Carey to instill life in the entire cast of the novel and make it
believable to the smallest of details, proving they are master puppeteers, as is
their leading character, Drozde. There are plenty of examples to be had, but in
order not to stretch the space of this review too much let’s look at Lieutenant
Tusimov for a bit, a character with something to say within the plot, but with
only occasional appearances.
“Tusimov liked glory, and
the radiant furniture of military adventure. But he was greatly deficient in
physical courage, by means of which glory is usually procured. His beguiling
fantasy, in moments of leisure, was a commendation for valour won without any
personal risk at all. In the absence of that, he was happy to find himself
defending a position that was unlikely to be attacked.”
It
is a paragraph that showcases the treatment received by the personages of the
novel even if their importance in the outcome of the story has greater or
lesser significance. Taken individually each major or minor character is
represented lively and vividly, but it is not only from here their authentic
portrayal draws energy, but also from the excellent interaction they have with
the other. The relationships and contacts made by various characters of “The
House of War and Witness” are sturdy, making all the scenes feel natural. It is
yet another demonstration of the authors’ ability of making their cast perform
as seen in the most exquisite theatre plays.
The
story of “The House of War and Witness” starts and develops slowly, it takes a
little time and several chapters to get it going. It is not a critique, the
Careys create ambiance and lay the foundation for the plot to unravel in a
pleasant and captivating manner. The story moves at a foot’s pace in the
beginning but it does so without stranding the reader to a forced march, it
carefully constructs an interesting and mysterious plot. Even more, it
insidiously crawls in the reader’s mind and soul until the registration of the
plot unraveling is felt with every fiber. As it was for me chapter 27, for
instance, the moment in which the point of the story that comes with the most emotional
and effective impact. The story gathers speed constantly and gradually until it
becomes a breathtaking run toward the final outcome. There is another element
within “The House of War and Witness” that in the onset it appears to stray
away from the main plot, Drozde discovering the ghosts of Pokoj and the ritual
of listening to their stories seems at first detached from the essential story
line. However, it proves to be just an impression, the significance of the
stories is uncovered at the time when it connects perfectly with the entire
plot. All the pieces involving the ghosts of Pokoj fall in place at the right moment,
rendering credibility to the way the story unfolds. There is another aspect
resulting from this side of Drozde’s tale, nobody is the owner of the universal
truth within “The House of War and Witness”, there is no heaven or hell beyond
the ones created by the human beings. It is also part of the comforting zone of
the novel, Mike, Linda and Louise Carey’s book is very dark, but it is balanced
nicely with the brighter elements. After all, we cannot have light without
shadows and shadows without light.
“The Steel Seraglio”/“The City of Silk and Steel” was a delightful novel, a cracking parade
of a powerful team of writers. With “The
House of War and Witness” the teamwork of Mike, Linda and Louise Carey becomes stronger, their joint
efforts coagulated even more. It leaves me wondering what their next
collaborative novel would look like.
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