Jules Verne is one of the writers responsible for my
love for reading. I still remember those wonderful Romanian editions of my
childhood with their hardback cover, the original French illustrations featured
inside and on the cover and the excitement brought by each new such book I
received then. As a matter of fact, I have only the fondest of memories when it
comes to his fiction, so dear that I still refresh them with a re-reading of
one of his books from time to time. There is no wonder then that I feel a
certain attraction for the books somehow linked to Jules Verne. One such book
is going to be Adam Roberts’ new novel, “Twenty Trillion Leagues Under the Sea”
due to be released by Gollancz next year on October. Bearing the mark of the
famous “20,000 Leagues Under the Sea” Adam Roberts’ novel started and was
developed from this basic idea: “It
is 1955. Funded, in part, by a reclusive Swiss millionaire and working --
it is claimed -- from Nemo's actual blueprints discovered in India, the French
Navy build a replica Nautilus. Crewed with sailors and scientists, and
commanded by the short-tempered Captain Mason, it is launched in great secrecy
from Bayonne. Almost as soon as it is underwater, however, and having passed
beyond the Continental Shelf, an accident (or sabotage!) sends it plummeting
towards the ocean floor. The crew desperately attempt repairs as the pressure
builds, threatening to crush the entire craft. But then something very strange
happens: despite the fact that they are still descending, the pressure
equalises. The descent continues for days; soon passing the 5000m depth that
ought to mark the bottom of the ocean. As days turn to weeks, the mystery of
their plight only grows deeper: for they pass hundreds and soon thousands
kilometres of 'depth' with no ill effects. Other constraints press upon them:
particularly the need to find food, and conserve fuel. Pressures amongst the
all-male crew intensify as well, approaching breaking point as weeks pass, and
the depth becomes measurable in millions of kilometres. Are they dead, trapped
in an eternal descent to Hell? Have they passed through some portal into a
realm of infinite water? Or have they somehow stumbled upon -- or been
deliberately lead to, via the mysterious Indian
blueprint -- some truth about the world too profound even to be measured in
trillions?
Then, when they think all
hope is lost, and as they approach the trillionth kilometre of depth, they see
light below them ...”
It definitely sounds very
interesting. Not only that, but with such a gorgeous cover and interior
illustrations signed Mahendra Singh that promise to match those of Jules
Verne’s original novels I cherish so
much I am eagerly waiting to take this ride.
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