Here are the latest arrivals in my mailbox, the majority of them received through the courtesy of Gollancz:
- "A Matter of Blood" by Sarah Pinborough (through the courtesy of
Gollancz);
The recession that grips the world has left it exhausted. Crime is rising in every major city. Financial institutions across the world have collapsed, and most governments are now in debt to The Bank, a company created by the world's wealthiest men.
But Detective Inspector Cass Jones has enough on his plate without worrying about the world at large. His marriage is crumbling, he's haunted by the deeds of his past, and he's got the high-profile shooting of two schoolboys to solve - not to mention tracking down a serial killer who calls himself the Man of Flies.
Then Cass Jones' personal world is thrown into disarray when his brother shoots his own wife and child before committing suicide - leaving Cass implicated in their deaths. And when he starts seeing silent visions of his dead brother, it's time for the suspended DI to go on the hunt himself - only to discover that all three cases are linked . . .
As Jones is forced to examine his own family history, three questions keep reappearing: what disturbed his brother so badly in his final few weeks? Who are the shadowy people behind The Bank? And, most importantly, what do they want with DI Cass Jones?
- "Shadow's Son" by Jon Sprunk (through the courtesy of
Gollancz);
Treachery and corruption lurk at the end of every street, in the holy city of Othir. It's the perfect place for a freelance assassin with no loyalties and even fewer scruples.
Caim makes - or perhaps more accurately, takes - his living on the edge of a blade. Murder is a risky business, but so far he reckons he's on the right side of it. Or he was . . . because when a short-notice contract job goes south, Caim finds himself thrust into the middle of a sinister plot in which he seems to be one of the primary marks. Pitted against crooked lawmen, rival killers and the darkest kinds of sorcery, it's going to take more than luck if he's to get through this alive.
He may lack scruples, but he's still got his knives, and his instincts, to rely on - and a developed sense of revenge, or should that be justice? - to fall back on. But when his path leads him from the hazardous back streets of Othir and into the highest halls of power, will instincts and weapons alone really be enough?
If Caim is really going to unravel the plot which has snared him, to unmask a conspiracy at the heart of the empire, he will have to finally claim his birthright as the Shadow's Son . . .
- "Tome of the Undergates" by Sam Sykes (through the courtesy of
Gollancz);
Lenk can barely keep control of his mismatched adventurer band at the best of times (Gariath the dragon man sees humans as little more than prey, Kataria the Shict despises most humans, and the humans in the band are little better). When they're not insulting each other's religions they're arguing about pay and conditions.
So when the ship they are travelling on is attacked by pirates things don't go very well. They go a whole lot worse when an invincible demon joins the fray. The demon steals the Tome of the Undergates - a manuscript that contains all you need to open the undergates. And whichever god you believe in you don't want the undergates open. On the other side are countless more invincible demons, the manifestation of all the evil of the gods, and they want out.
Full of razor-sharp wit, characters who leap off the page (and into trouble) and plunging the reader into a vivid world of adventure this is a fantasy that kicks off a series that could dominate the second decade of the century.
- "Metro 2033" by Dmitry Glukhovsky (through the courtesy of
Gollancz);
The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend.
More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over.
A few score thousand survivors live on, not knowing whether they are the only ones left on earth. They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price.
VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.
What good is a toy that will wind down? What if you could put a heart in one? A real heart. One that beat and beat and didn’t stop. What couldn’t you do if you could make a toy like that?
From the moment Mathias becomes the owner of a mysterious piece of paper, he is in terrible danger. Entangled in devious plots and pursued by the sinister Doctor Leiter and his devilish toys, Mathias finds himself on a quest to uncover a deadly secret.
TRAPPED WITHIN THE TWILIGHT… Call it what you like: dusk, twilight, sunset. It’s that magical moment between daylight and darkness when anything is possible — the evening ahead promises untold enchantment… or nameless dread.
Within are 16 tales of the oncoming blackness, including more than the usual cast of characters.
There are shapeshifters and gravediggers, but also supernatural private detectives and — perhaps most terrifying of all — beautiful creatures that prey on… horror writers. Murder, death — and things worse than death — are all waiting for you When The Night Comes Down.
Our newest title features more of the great stories that are a hallmark of Dark Arts Books’ selections.
Joseph D’Lacey, in stories like “The Unwrapping of Alastair Perry,” writes in the vein of the Clive Barker of the 1980s.
Bev Vincent, already renowned for his non-fiction, shows off some impressive range in his fiction — from hard-edged horror (”Silvery Moon”) to Bradbury-esque whimsical (”Something in Store”) to knowing humor (”Knock ‘em Dead”).
Legend Robert E. Weinberg delivers perhaps the all-time greatest behind-the-scenes send-up of genre convention weekends with “Elevator Girls.” And rising young gun
Nate Kenyon, in gritty stories like “Gravedigger” and “The Buzz of A Thousand Wings,” showcases why he has earned all those raves.
Thank you all very much!
Best Novel: “The City & The City” by China Miéville
