Friday, April 10, 2015

Guest post - "What Flavour of Apocalypse" by Tsana Dolichva

Apocalypse fiction rarely includes characters with disability, chronic illness and other impairments. When these characters do appear, they usually die early on, or are secondary characters undeveloped into anything more than a burden to the protagonist. Defying Doomsday will be an anthology showing that disabled characters have far more interesting stories to tell in post-apocalyptic/dystopian fiction.

Defying Doomsday will be edited by Tsana Dolichva and Holly Kench, and published by Twelfth Planet Press in mid 2016. Defying Doomsday is currently crowdfunding via Pozible. To support the project visit: http://pozi.be/defyingdoomsday

What Flavour of Apocalypse?
by Tsana Dolichva

Apocalypses come in all forms. And yet, if someone says “post-apocalyptic wasteland” I automatically picture a pretty similar scene, not matter the context. The image in my mind is of a barren landscape, probably a bit desert-like, maybe with some ruined buildings dotting the horizon. Why is that the default? I’m not sure. It’s not that I haven’t read stories where the world floods, or superstorms wreak havoc on the Earth, or climate change sends Earth into a deep freeze. And that’s not even touching on the creative ways aliens can kill us all, or the more permanently cataclysmic astronomical events that could destroy all life on Earth.

So why is the barren landscape what pops into my mind in the absence of other settings? I’m starting to wonder if it’s not a legacy of the Cold War. Did the fear of a nuclear holocaust imprint itself so strongly on our collective consciousness that it’s still our go-to apocalypse scenario? Maybe it’s just me, and maybe it’s a product of the specific places and times where I’ve spent my life, but I write this as someone who has lived something like 85% of her life post-Cold War.

That’s not to say that nuclear apocalypses aren’t a perfectly valid choice of setting, although I do prefer it when the background behind them is well thought through.

The truth of the matter is there are many different possible scenarios that destroy the world as we know it and the possible permutations are endless. From the mundane (see above) to the cataclysmic (Earth being torn apart) to the weird (the laws of physics suddenly stop working and neutrinos start reacting — I will never forgive you for that, 2012). We want to give authors the opportunity the explore all sorts of scenarios with all sorts of characters.

For Defying Doomsday we’re also looking for stories with disabled or chronically ill characters, but that doesn’t mean the apocalypse needs to take a back seat.

Author Bio:

Tsana Dolichva is a Ditmar Award ­nominated book blogger. She is editing the anthology Defying Doomsday with Holly Kench, the managing editor of Visibility Fiction. As editors and readers of science fiction, who also live with disability and chronic illness, Tsana and Holly have often noticed the particular lack of disabled or chronically ill characters in apocalypse fiction. They are excited to share Defying Doomsday, an anthology showing that people with disability and chronic illness also have stories to tell, even when the world is ending.

 To support the anthology or to preorder a copy of Defying Doomsday, visit: http://pozi.be/defyingdoomsday . Your support is greatly appreciated! You can find out more about Defying Doomsday at the website or follow us on Twitter and Facebook.

About Defying Doomsday:

Defying Doomsday is an anthology of apocalypse-survival fiction with a focus on disabled characters, which will be edited by Tsana Dolichva and Holly Kench, and published by Twelfth Planet Press in mid 2016.

Apocalypse fiction rarely includes characters with disability, chronic illness and other impairments. When these characters do appear, they usually die early on, or are secondary characters undeveloped into anything more than a burden to the protagonist. Defying Doomsday will be an anthology showing that disabled characters have far more interesting stories to tell in post-apocalyptic/dystopian fiction.

The anthology will be varied, with characters experiencing all kinds of disability from physical impairments, chronic illnesses, mental illnesses and/or neurodiverse characters. There will also be a variety of stories, including those that are fun, sad, adventurous and horrific.

The stories in Defying Doomsday will look at periods of upheaval from new and interesting perspectives. The anthology will share narratives about characters with disability, characters with chronic illnesses and other impairments, surviving the apocalypse and contending with the collapse of life as they know it.

Defying Doomsday is currently crowdfunding via Pozible. To support the project visit: http://pozi.be/defyingdoomsday

About the Campaign:

Defying Doomsday will be funded via a Pozible campaign, with the assistance of a Crowbar grant from Arts Tasmania. The campaign will run from April 1 2015 to May 1 2015, with a funding goal of $13,000 to cover production costs, reward items, and the funds to pay authors a professional market rate. You can support the campaign here: http://pozi.be/defyingdoomsday

Twelfth Planet Press:

Twelfth Planet Press is an award winning Australian publisher, championing underrepresented voices in speculative fiction. In 2011, Alisa Krasnostein won the World Fantasy Award for her work with the press, and Twelfth Planet books and stories have won the Shirley Jackson, WSFA Small Press, Aurealis, Ditmar, Chronos and Tin Duck awards.

Links:

Thursday, April 9, 2015

Review - "Grimm Mistresses"

Review copy received through the courtesy of the publisher

The best-selling book lists might include the fairy tales of Brothers Grimm, but I believe they are the most famous stories out there. However, these old fairy tales hold not only fame, but also a power of transformation, they become something else while we journey from our childhood into adult life. They begin to reveal more than happy endings and merriment, their content becomes much darker. Of course, with modern entertainment spinning them into something new their power of transformation is enhanced. “Grimm Mistresses” aims for such changes, taking five fairy tales and giving them a new life, but without losing their dark core in the process.

“Little Dead Red” by Mercedes M. Yardley – Marie’s daughter, Aleta, goes to visit her grandmother at the hospital but on her way there she meets a terrifying end. Marie tries to exact revenge on the creature responsible for the terrible deed. “Little Dead Red” is a tremendous opener for this little anthology. Mercedes M. Yardley spins a dark story, the darker you can find, to bone chilling precision. All the set of emotions Marie experience are sent in an unsettling correspondence across to the reader, her suffering, desperation, loss, longing, and unrelenting determination to find vengeance are brought to palpable extent, whirled with great talent by Mercedes M. Yardley through haunting scenes. There is a lushness of language within this story, but its beauty has on the other side of its coin an oppressing atmosphere, an event that breathes so much dread. The terrible event at the core of the plot is not the only one contributing to the very dark setting of Mercedes M. Yardley’s story, because unlike the Little Red Riding Hood fairy tale, where this tale has its roots, here the wolf is not the only dangerous creature living in the forest and not as easily recognizable, hiding not among the trees of the forest but blending in the city landscape. “Little Dead Red” is a harrowing, deeply emotional story, one that shook my ground and chased away my sleep long into the night. It is also one of the very best I ever read.

“Nectar” by Allison M. Dickinson – Two men going on a double blind date end up being held captive by a group of women with a particular agenda. The story is twisted, bizarre take of the Hansel and Gretel fairy tale, but unfortunately beside this original take on the old tale I couldn’t connect at any level with the other elements of “Nectar”. Heavy of science fiction elements the story left me puzzling over some of his aspects. The men are taken to a location on Earth, but to a different time. They are brought there for breeding purposes since only women can survive there, the air being poisonous for the male population, but why the males cannot withstand the noxious air is never explained. They are constantly fed a certain nectar that makes them depended to their captors, but that also fattens and drives them insane. Although with the story told from the point of view of one of the man held captive the degradation of his mind is never truly felt. From my standing point I also was unable to find any appeal in a rebellious act taking place, but without being supported by the believable reasons, and on a couple of gruesome images, not frightening in the way some horror stories play such scenes but stirring more the uncomfortable feeling of repulsion. Following in the wake of the very powerful “Little Dead Red” didn’t help Allison M. Dickinson’s story either.

“The Leopard’s Pelt” by S.R. Cambridge – During World War II, Henry Lowery survives an attack that sank his ship only to end up stranded on a deserted island. In order to escape what seems to be a sealed fate Henry strikes a deal with a leopard, a magical creature that is the only other inhabitant of the island. S.R. Cambridge weaves together very well the elements of fairy tales with a narrative of her own, creating a heart-warming story. Two powerful characters struggling against invisible boundaries and their condition, Henry facing the limits of the bargain he struck in order to survive and Beatrice fighting with a time and a society unforgiving with her dreams, find each other, ending up winning each other’s hearts and those of the readers. “The Leopard’s Pelt” is a wonderful modern fairy tale, one that kept me hooked within it and made me keep my fingers crossed for a happy ending. And while the finale brings with it a relief for the two main characters I also liked that it leaves some of the threads hanging, from that point things could very well become brighter or darker, it is entirely up to the imagination of the reader.

“Hazing Cinderella” by C.W. LaSart – Katie moves, not for the first time, into the house her mother’s new husband, but she must face the dislike and hidden agenda of her step-sister. At the same time her mother has some things to deal with too. I am not the one to make comparisons with other works, but while I read “Hazing Cinderella” I could not get out of my system that the story reminded me a great deal of the 2012 movie “Byzantium”, directed by Neil Jordan. Not in the way of being a copycat, but because it follows some similar roads and shares certain themes with this film. Leaving that aside C.W. LaSart’s story has its merits. It twists Cinderella’s tale in a very interesting way and while there is only a couple of touching points with the famous fairy tale the villains and the “rewards” they deserve according to their behavior are as nasty as those of the old stories. In my case the similarities with “Byzantium” make “Hazing Cinderella” more memorable but I am not the one to deny that the story delves in some vicious, brutal imagery that makes it a very dark tale.

“The Night Air” by Stacy Turner – Marla, in an attempt to offer a less threatening medium for her three little children to grow up in, moves together with her husband to a small town only to discover that some old perils still claim heavy tolls. I loved Stacy Turner’s take on the familiar fairy tale, I’ll not reveal it here since its discovery later in the story is part of the twist, but also the vibe of classic horror writings that “The Night Air” radiates. Small towns with old, well kept secrets and closed communities are elements that were points of attraction toward horror fiction ever since I first discovered the genre. The story reaches its turning point very well, it gathers momentum from Marla’s eerie discovery in the woods behind her new house and realism from the state of exhaustion she hits with the recent move and the demands of her work and young children. However, I felt a bit disappointed with the end, it leaves a certain feeling that I find difficult to grasp considering the tragedy unfolded previously.

“Grimm Mistresses” digs after the dark roots of Brothers Grimm’s fairy tales grafting this source with satisfactory results. There is very little happily-ever-after to be found within the urban woods of “Grimm Mistresses”, but since this collection aims for “those dark fairy tales that made you leave the light on long before Disney went and sanitized them” it achieves its objective successfully. It might not hit the bull’s-eye, but it is not far from it either.

Wednesday, April 8, 2015

2015 Sir Julius Vogel Awards

The past week-end, during Reconnaissance, the 36th New Zealand National Science Fiction, Fantasy and Horror Convention, held in Rotorua on the North Island of New Zealand, the winners of 2015 Sir Julius Vogel Awards have been announced.

PROFESSIONAL AWARDS NOMINEES
BEST NOVEL
“Engines of Empathy” by Paul Mannering (Paper Road Press)

BEST YOUTH NOVEL
“The Caller: Shadowfell” by Juliet Marillier (Pan Macmillan)

BEST NOVELLA
“Peach and Araxi” by Celine Murray (Published in Conclave: A Collection of Science Fiction and Fantasy by Leapy Sheep)

BEST SHORT STORY
“Inside Ferndale” by Lee Murray (SQ Mag, Issue 12, January 2014)

BEST COLLECTED WORK
“Lost In The Museum” by Phoenix Writers Group (Makaro Press)

BEST PROFESSIONAL ARTWORK
Cover for Lost In The Museum – Geoff Popham

BEST PROFESSIONAL PRODUCTION/PUBLICATION
Weta Digital: 20 Years of Imagination On Screen  Clare Burgess with Brian Sibley with the support of Weta Digital

BEST DRAMATIC PRESENTATION
“What We Do In The Shadows” directed by Jemaine Clement and Taika Waititi, produced by Chelsea Winstanley and Taika Waititi / (c) Shadow Pictures 2014

FAN AWARDS NOMINEES
BEST FAN PRODUCTION/PUBLICATION
Phoenixine – John & Lynelle Howell

BEST FAN ARTWORK
Keith Smith, for contributions in Novazine

BEST FAN WRITING
Rebecca Fisher

BEST NEW TALENT
A.J. Fitzwater

SERVICES TO SCIENCE FICTION, FANTASY AND HORROR
Hugh Cook

Congratulations to all the winners!

Monday, April 6, 2015

2015 Ditmar Awards

The past week-end, during SwanCon 40, the Australian National SF Convention, held in Perth the winners of the 2015 Ditmar Awards have been announced:

BEST NOVEL (TIE):
“The Lascar's Dagger” by Glenda Larke (Hachette)

“Thief's Magic” (Millennium's Rule 1) by Trudi Canavan (Hachette Australia)

BEST NOVELLA OR NOVELETTE:
“The Legend Trap” by Sean Williams, in Kaleidoscope (Twelfth Planet Press)

BEST SHORT STORY:
“The Seventh Relic” by Cat Sparks, in Phantazein (FableCroft Publishing)

BEST COLLECTED WORK:
“Kaleidoscope” edited by Alisa Krasnostein and Julia Rios (Twelfth Planet Press)

BEST ARTWORK:
Cover art, Kathleen Jennings, of Phantazein (FableCroft Publishing)

BEST FAN WRITER:
Tansy Rayner Roberts, for body of work

BEST FAN ARTIST:
Kathleen Jennings, for body of work, including Fakecon art and Illustration Friday series

BEST FAN PUBLICATION IN ANY MEDIUM:
“The Writer and the Critic” - Kirstyn McDermott and Ian Mond

BEST NEW TALENT:

WILLIAM ATHELING JR. AWARD FOR CRITICISM OR REVIEW:
“Does Sex Make Science Fiction Soft?” in Uncanny Magazine 1, Tansy Rayner Roberts

Congratulations to all the winners!