Friday, November 28, 2014

"The Sylvan Elves' Honor" (Elves, Volume 2) by Nicolas Jarry (script), Ginaluca Maconi (artist) & Diogo Saïto (colors)

"The Sylvan Elves' Honor (Elves, Volume 2) / "L'Honneur des Elfes Sylvains"
by Nicolas Jarry (script), Ginaluca Maconi (artist) & Diogo Saïto (colors)
Publisher: Soleil Productions
The review is based on a bought copy of the book
Other titles in the series: "The Blue Elves' Crystal" / "Le Crystal des Elfes Bleus"

Elves receive a special treatment at Soleil Productions, the French publisher of comic books; an entire universe is dedicated to these legendary creatures with five different writers and five different artists to tell their stories. I’m not sure if with the five teams behind the tales the intention of the publisher was to have five albums in this series, I am only certain that number was surpassed and we are talking of an ongoing series of comic books. But without getting ahead of myself, after the first volume, “The Blue Elves’ Crystal”, written by Jean-Luc Istin and illustrated by Kyko Duarte, here is the second, “The Sylvan Elves’ Honor”, with a script by Nicolas Jarry and art by Gianluca Maconi.

A group of city-states driven only by mercantile intentions seek to seize the rights of customs held by the city of Eysine, but when they refuse to wield under their pressure an army of mercenary orcs hired by the group besieges the citadel. With no allies left to stand by the city of Eysine Llali, the king’s daughter, decides to seek help from the sylvan elves, retired within the forests. Hoping to awaken an ancient alliance between the humans and the sylvan elves Llali meets Yfass, an elven hunter, who leads her to his people.

The reader is thrown in the heart of the story from the first panels, with the entire plot revealed only several pages later and until the full scenario is grasped it takes a series of journeys back and forth in time. Due to this approach and the fact that healthy chunks of dialogue are necessary for the whole plot to be set into places makes the unraveling of the tale a slow process. The stage is occupied mainly by the game of politics, played by the involved parties until the extreme consequence of war is brought upon them. Economic interests, old treaties and internal affairs are all important pieces of this assembly. Assassins, magic and a couple of twists and turns are served on the side, adornments making the story more interesting.

However, as it was the case with the first volume of Soleil Productions’ Elves series the limited space accessible for these comics books (little over 50 pages) turns “The Sylvan Elves’ Honor” a story without depth. The mechanics behind the plot are restricted in order to be contained within the pages of the present volume. Even the small elements used in the support of the tale are barely scratched and every single aspect of the story is more left unexplored rather than surveyed to satisfactory needs. I could not shake the feeling that what could have been a captivating adventure becomes just a feeble endeavor because of the very tight space in which Nicolas Jarry has to develop a complete story.

Sadly, for me, neither the art of Gianluca Maconi works in favor of “The Sylvan Elves’ Honor”, most of the panels are unimpressive and there is little to be had out of the illustrations. Despite of a few of them being acceptable and showing promise, from my point of view most of them are rather schematically treated, with no panel being able to hold my gaze for longer than a couple of moments. I was left largely unimpressed by the final result, among the characters, settings and fighting scenes I could find only a few that I liked quite a bit, but I cannot honestly say that the art of “The Sylvan Elves’ Honor” is what I’d count among my preferences. Diogo Saïto’s coloring saves the situation a bit, it sets nicely the tone and atmosphere of the panels, but I am afraid it does too little to shake my general opinion of the comic book’s art.

Although part of a larger series and universe Nicolas Jarry and Gianluca Marconi’s comic book is independent from the first volume, “The Blue Elves’ Crystal”, as each new album of the Soleil ProductionsElves series is, but in comparison with that first entry I felt “The Sylvan Elves’ Honor” took a tumble for the worse. It is not a bad comic book, it provided me with a quick and fun reading, but no more than that and certainly without demanding another one.

Thursday, November 27, 2014

Table of contents - "European Monsters" edited by Jo Thomas & Margrét Helgadóttir

I was thrilled by the concept behind the “Terror Tales” series of anthologies edited by Paul Finch and published by Gray Friar Press from the first volume released and six collections later I still cannot suppress my delight with all these books traveling across England’s provinces to highlight local legends and myths and dress them in new clothes. I also stated several times my dream of seeing such anthologies journeying across the globe in order to explore the rich vein of world’s folklore and myths and to shine a light on more such stories. You can imagine my joy when I discovered a new collection of short stories following my line of thought. “European Monsters” is one answer to my dream, an anthology dedicated to the frightening creatures at the heart of local folklore, myths and legends. And it gets even better, “European Monsters” is just the first of a new series of anthologies with this concept at its base, Fox Spirit Books, the publisher of this collection, announces that the next volumes have already booked tickets to further destinations, with the first of them being Africa in 2015. It is almost as much as I hoped for. I say almost because there is nothing to go by from here, I mean the concept is very clear and I have no complains about it. As a matter of fact, I have no complains what so ever about what keeps my delight in check either, but it still needs to be said, the table of contents assembled by the editors Jo Thomas and Margrét Helgadóttir features only a couple of familiar names. Nothing worrisome, on the contrary, as much as “European Monsters” is similar to the chance of discovering legends and myths unfamiliar to me so far, it is also an opportunity for finding new writers. It will certainly not be the first time when such a things happen, but until I read the collection I have no possibility to opinion on the matter. Another interesting fact regarding “European Monsters” edited by Jo Thomas and Margrét Helgadóttir is that we are talking about a coffee table book and this is one of my first experiences with such volumes. I’ve seen a couple, I don’t own any and yet, I am more than willing to put “European Monsters” on my coffee table. After all, I cannot say that monsters aren’t among the most interesting guests to have for a cup of coffee.

Here be Monsters!
They lurk and crawl and fly in the shadows of our mind. We know them from ancient legends and tales whispered by the  campfire. They hide under the dark bridge, in the deep woods or out on the great plains, in the drizzling rain forest or out on the foggy moor, beneath the surface, under your bed. They don’t sparkle or have any interest in us except to tear us apart. They are the monsters! Forgotten, unknown,  misunderstood, overused, watered down. We adore them still. We want to give them a renaissance, to reestablish their dark reputation, to give them a comeback, let the world know of their real terror.
Welcome to  ‘The Fox Spirit Books of Monsters’. A book series with dark fiction and art about monsters from around the world, starting with Europe, continuing with Africa in 2015 before the travel continues. Fox Spirit Books will take you from continent to continent, bringing you art and dark fiction about monsters based on local folklore, myths and legends from around the world.

“Herne” by Jonathan Grimwood
“Vijka” by Anne Michaud
“Broken Bridges” by James Bennett
“Upon The Wash of the Fjord” by Byron Black
“Nimby” by Hannah Kate
“Serpent Dawn” by Adrian Tchaikovsky & Eugene Smith (artist)
“Black Shuck” by Joan De La Haye
“A Very Modern Monster” by Aliya Whiteley
“Fly, My Dear, Fly” by Nerine Dorman
“Mélanie” by Aliette de Bodard
“Moments” by Krista Walsh
“Hafgufa Rising” by Chris Galvin
“Old Bones” by Peter Damien
“The Cursed One” by Icy Sedgwick
Mother Knows Worst” by Jasper Bark & Soussherpa (artist)

Wednesday, November 26, 2014

Cover art - "Rolling in the Deep" by Mira Grant

I had the pleasure to interview Julie Dillon back in 2009 and since then, if not earlier, I watched her artist career with great interest. Not only I welcomed with delight each of her new artworks, but I also was thrilled to see Julie Dillon gathering appreciation and recognition in forms of nominations for World Fantasy Award (2012) and Hugo Award (2013) and winnings of two Chesley Awards (2010, 2011) and a Hugo Award (2014). I’ll add to these a successful crowd-funding campaign for an art book, “Imagined Realms: Book 1”, signaling that Julie Dillon does an excellent job with her art. The lively colors and vivid creativeness of each of her new art pieces open a door to other worlds, every single one of them allows me to explore infinite possibilities, depending on the subject and the confines of my own imagination. I can return easily to Julie Dillon’s art pieces and imagine something different based on them, I can take each time another route, uncharted before. In this sense I believe her artworks have no limits. It happened to me again with Julie Dillon’s book cover for Mira Grant’s novella, “Rolling in the Deep”, due to be released by Subterranean Press. I have discovered another wonderful composition, complex and delightful. It is true that my first viewing of the cover artwork is influenced by the connection with the synopsis of the novella as well, but I consider that only the starting point. Because commencing from here this beautiful art piece allows countless possibilities, with all the whys, whats, wheres and ifs left on the hands of our imagination.

When the Imagine Network commissioned a documentary on mermaids, to be filmed from the cruise ship Atargatis, they expected what they had always received before: an assortment of eyewitness reports that proved nothing, some footage that proved even less, and the kind of ratings that only came from peddling imaginary creatures to the masses.
They didn't expect actual mermaids.  They certainly didn't expect those mermaids to have teeth.
This is the story of the Atargatis, lost at sea with all hands.  Some have called it a hoax; others have called it a maritime tragedy.  Whatever the truth may be, it will only be found below the bathypelagic zone in the Mariana Trench…and the depths are very good at keeping secrets.

Monday, November 24, 2014

Shimmer Magazine, Issue 22, November 2014

Issue 22, November 2014
The review is based on a bought copy of the magazine

“A Whisper in the Weld” by Alix E. Harrow – Isa Bell dies in an accident at the steel mill she is working, but her ghost lingers near her working place and her nearby home, waiting to meet with the ghost of her husband, supposedly recently killed in action, while keeping an eye of her daughters. In the simplest approach I could put Alix E. Harrow’s story in a line of other ghost stories, after all familiar elements of such tales make their presence felt, a cat is the only being capable of seeing Isa after her death and the connection her ghost has with Isa’s places of living and work, but “A Whisper in the Weld” is anything but a conventional ghost story. A story of love, loss and hope, with social implications heightened by the difficult times of war in which it is set. No statements of after life are made, there is no better place relieving the dead of the burdens carried in life, only a certain peacefulness and the characteristic course of nature.
“After death, ghosts are sculpted like cold clay into the shapes they wore when they were most alive. Some people are taken by surprise. Women whose lives were about their husbands and homes are, without warning, precisely as they were when they met a stranger’s eyes on a crowded streetcar. Men who had the kinds of careers that involved velvet-lined train cars and cigar smoke are suddenly nine years old, running their spectral fingers through the tall grasses and thinking of nothing at all.”
I am not trying to claim knowledge of the author’s intentions, I am not attempting to proclaim hindsight, but the names of Isa’s daughters, Vesta (from the Roman goddess of family, home and hearth) and Persephone (from the Greek queen of the underworld and goddess of vegetation), could be seen as a from of reflection of the bridge Isa Bell crosses from life to death.
Social issues are extensively treated, with all the unpleasant results emerging out of a society profiting to the maximum of dire times. The characters are handled broadly as well, even with the limited space offered by the short forms of fiction Alix E. Harrow creates strong protagonists, all of them, even if they have a more or less presence within the story, send waves of deep emotions across the pages. As it is the case with the language of “A Whisper in the Weld”, rich, beautiful prose enhances the reading experience of this wonderful story. Alix E. Harrow’s “A Whisper in the Weld” is one of those stories holding countless rewards with its lines, as precious as a rare gem.

“Caretaker” by Carlie St. George – The main character mysteriously receives the dead bodies of suicides and takes upon herself (the gender of the character isn’t stated but somehow I felt it is a woman) the mission of burying and offering them the final rest. It is a very short story and yet with such a great depth. Guided by the dream of the catcher in the rye of saving people before they fall from the cliff the main character feels pressured by the task she takes on herself, difficult and lonely most of the times, but committing to it with full responsibility. It is a world full of ghosts that surrounds her, be them stars, dead astral bodies in the sky, people walking in life as if they are ghosts or the specters of the departure ones who come to her in their final hour.

“Cantor’s Dragon” by Craig DeLancey – Georg Cantor, the renowned mathematician, is admitted into a clinic after the tragic death of his son and here he confronts a dragon that seems to be one of the keepers of after life. A touching, sensible story and another one of this issue that offers a certain image of what awaits beyond the threshold of death without the smugness of the beholders of universal truth. Georg Cantor work was on the theory of infinity and that is reflected in the image of “Cantor’s Dragon”. Heaven and hell is a matter of choice here instead of a reward or a threat and the possibilities are, well, infinite. The latter can be a matter of personal delusion and mental torment, since the dragon Cantor sees could well be the creation of his own mind. Reaching the former becomes a problem of mathematics and a contest of logics between Cantor and the dragon a form of gaining access to it. Yet, for me, Cantor’s clever solution doesn’t seem to bring relief, it only appears to highlight the tragedy at the core of this story.

“The One They Took Before” by Kelly Sandoval – Kayla, returned from the land of the fairies, where she was abducted, finds herself torn between their world and ours. “The One They Took Before” holds perfectly the feeling of main character’s anxiety, the craving for something she cannot reach, be that from our modern world or that of the fairies. Her inefficiency of readapting, her constant search for signs of the fairies, sometimes with hope, sometimes full of fear, back the credibility of Kayla’s situation throughout the entire story. As in the case of the first tale of this issue Kelly Sandoval’s “The One They Took Before” is also topped with beautiful, poetic prose.
“Witnesses report Aarons was seen outside the venue with a woman described as having skin the color of a summer moon and eyes as deep as madness.”

Shimmer’s 22nd issue comes with an assortment of stories full of loss, longing and despair, however not of the darkest, bleakest kind, but as melancholic as an early autumn rain. With this intricate issue Shimmer does once again what it does best, it presents stories that leave a mark on the reader and brings forth strong voices, talented writers to watch in the future.

Friday, November 21, 2014

Release day - "Exorcizat" (Exorcized) by Radu Găvan

The latest information states that book industry in Romania hit a new low since 1990, it seems that 2/3 of the publishers closed doors, while other signs of health from the book market are not encouraging. In this light, my constant bickering and raised questions about the horror genre in Romania, a niche with a tiny span, seems pointless. I repeat, the Romanian folklore, legends and traditions, plus nearly 50 years of an oppressive regime and 25 years more of an unstable society offer a fertile ground for genre fiction and yet it remains mostly unsown. Even so, I do believe that there is hope and a better future can be built, in the end we do have young writers and bold publishers to prove that. Without them we cannot talk of any kind of future. It is tough, from my experience the school programs force only the classics on the students and every other book outside that is labeled as unimportant, therefore plenty of teachers chase away pupils from reading in the process. It is just one part of a wider picture, but I prefer not going into detail, I wish to keep a more optimistic tone here. Because in the end change starts with each of us and efforts are made to turn things around. Keeping it to the Romanian horror genre I am happy I can point out a couple of examples, Mircea Pricăjan does one hell of a job with his editing, writing and running of the Suspense Magazine, a genre periodical, Herg Benet is a new publishing house with strong attitude, welcoming and publishing new and interesting Romanian writers. There are several more and that is the reason for me believing that our genre fiction can become memorable. For instance, Radu Găvan, who launches today his debut novel, “Exorcizat” (Exorcized), through the already mentioned Herg Benet. I had the chance to read a couple of Radu Găvan’s short stories and those made an impact, thus I am quite curious about his novel. I have a little restrain towards it, I understand “Exorcizat” (Exorcized) contains sex and violence and these two in the same sentence are not a point of attraction, but there are other things that make me give this novel a chance. A young writer, a daring publisher, an intriguing concept, a hope for the future of the genre. Oh, and more thing, we can promote such novels with the help of a book trailer too, despite me not finding those extremely efficient it is a step forward.

“… we are the hyenas that chase away the lion from the prey, the cockroaches that invade your home, the rats that put you on the run. We are fighting for food, so we are prepared…”

In the middle of a strangled city, a young real estate agent, alone and penniless, fights with desperation for survival.  Born from the darkness of his mind, as well as from the moral filth of the corrupt society that surrounds him, the demons of the past meet those of the present. Thus, the battle for keeping his own humanity can begin. Alive and brutal, overwhelming from the psychological point of view, Exorcized is a rollercoaster that strolls mercilessly the shadows of the human mind.

Thursday, November 20, 2014

In the news - Two novels by Aliette de Bodard published by Gollancz

The good news about some of my favorite writers and their future books seem to be piling in, but you’ll not see any trace of me complaining about it, on the contrary. The latest such piece of news comes from Aliette de Bodard, one of the most talented and exciting voices of modern speculative fiction, and Gollancz, one of the major UK publishers of genre fiction. Following four years of publishing short fiction (I would not even attempt to say that each new one was better than the last considering that all of them are excellent stories) since the release of her last novel, “Master of the House of Darts”, the third entry in the “Obsidian and Blood” trilogy after “Servant of the Underworld” and “Harbinger of the Storm”, on 20th August 2015 Gollancz will release Aliette de Bodard’s new novel, “House of Shattered Wings”. Plus a sequel of “House of Shattered Wings”, yet untitled, since Gollancz acquired the rights for two novels written by this amazing writer. “House of Shattered Wings” is set in Paris and promises plenty of excellent things, beside the guarantee offered by Aliette de Bodard’s talent.

In “House of Shattered Wings”, Paris’s streets are lined with haunted ruins, Notre-Dame is a burnt-out shell and the Seine runs black with ashes and rubble. De Bodard’s rich storytelling brings three different voices together: a naive but powerful Fallen angel, an alchemist with a self-destructive addition, and a young man wielding spells from the Far East.

It seems next year I’ll have my hands full of promising books, but this perspective is nothing but delightful.

Wednesday, November 19, 2014

Title spotlight - "Dark Tales of Sorrow and Despair" by Ciprian Mitoceanu

I am not overly familiar with the works of the Romanian writer Ciprian Mitoceanu. As a matter of fact, I cannot cast a legitimate opinion on any of his writings, as personal and subjective as those are I read only a couple of his short stories and therefore I am unable to offer a full point of view on his works, in spite having two of his novels on my library shelves, “The Dawson Amendment” (Amendamentul Dawson) and “In the Blood of the Father” (În sângele tatălui). Ciprian Mitoceanu also published another novel, “Fangs” (Colţii), but that one is as distant as any of my thoughts on his works. Still, in the light of what I said on Monday about the state of our speculative fiction and the steps we need to take in order to move forward and to build a strong community of genre writers, editors and readers I am delighted to see a collection of Ciprian Mitoceanu’s short stories available in English. Self-published (we are still working and struggling to bring our writers on the English market through traditional publishing, be that through a small, independent press or a more established publishing house), available in electronic format on Amazon and translated by an admirable and talented Romanian translator, writer and editor, Mircea Pricăjan, “Dark Tales of Sorrow and Despair” gathers Ciprian Mitoceanu’s five short stories and novellas exploring the Romanian horror. I would definitely give Ciprian Mitoceanu’s “Dark Tales of Sorrow and Despair” a chance, even if it’s just a small taste of the Romanian genre literature. Because I keep saying, the Romanian folklore, legends and traditions offer a very fertile ground for the horror and dark fantasy genres, unfortunately little explored at the moment but with so much potential. And future, as I’ve started to notice these days.

Mitoceanu's writing is woven to the effect of inspiring horror, both mental and physical, his stories are plot-centered, and his characters, most of the times easily recognizable as Romanians, are deftly drawn to extract the dark side of human nature. 
Mitoceanu's biggest accomplishment is his showing the world that Romania has a lot of frightful stories to tell. And Romania's lucky to have him for that task, as his writing abilities in a very difficult genre are indeed worthy of praise.
Step into Ciprian Mitoceanu's horrific worlds, where sorrow and despair shake hands with (the illusion of) hope, and you will surely be getting a taste of what the young Romanian horror has best to offer.

Tuesday, November 18, 2014

Free fiction - "Who is Killing the Great Capes of Heropa?" by Andrez Bergen

Sometimes I wander aimlessly between all these wonderful books I want to read and I even lose my path on occasions from writers I enjoy reading and consider to be my favorites. Andrez Bergen is such a writer and somewhere down the line I am afraid I lost the track of reading his novels, despite loving his first two excellent books, “Tobacco-Stained Mountain Goat” and “One Hundred Years of Vicissitude”, I utterly failed to catch up with Andrez Bergen’s next two, “Who is Killing the Great Capes of Heropa?” and “Depth Charging Ice Planet Goth”. I keep repeating one of these days I’d finally bring these readings up to date, but until I put my money where my mouth is I should stop repeating it. I am not sure how soon I’ll manage what I wish for in this case or if I succeed in fulfilling this goal of mine until the end of the year, but what I am certain of is that up until December Andrez Bergen’s “Who is Killing the Great Capes of Heropa?” is up for grabs for free. It is a way for Andrez Bergen and Perfect Edge Books to thank everyone who supported his works, including his crowdfunding campaigns for two graphic novels projects, “Tobacco-Stained Mountain Goat: The Graphic Novel” and “Bullet Gal”. The latter is still running, so if you want to check the Kickstarter campaign for “Bullet Gal”, a collection of 12 of comic book issues featuring elements of hardboiled noir, pulp, crime, sci-fi and superheroes, you can find more information here. As for “Who is Killing the Great Capes of Heropa?”, the novel of 456 pages, including 35 illustrations by international comic book artists, that’s an homage to silver and golden age comics as well as noir, pulp and sci-fi/dystopia… partially based in the same last-city-in-the-world Melbourne asTobacco-Stained Mountain Goat, you can downloaded for free from Amazon US, UK or Canada.

Monday, November 17, 2014

2014 Ion Hobana Award

I keep saying that there are signs of encouragement within the Romanian speculative fiction, that we are taking steps towards a healthy genre market for our writers and readers. Of course, I am optimistic, maybe a bit too much, we still have a lot of work ahead of us and we still need to put an end to all these skirmishes taking place within our genre literature. Let’s take for instance the Ion Hobana Award. Organized by the Romanian Science Fiction and Fantasy Society the Ion Hobana Award is an excellent initiative, a good way to celebrate and recognize the local speculative fiction. However, as it is the case with the 2014 Ion Hobana Award news of it came out of the sudden, the little information about the National Ion Hobana Colloquy, held by the Romanian Science Fiction and Fantasy Society together with the Romanian Writers Union and the Romanian Cultural Institute, and the Ion Hobana Award seeming to appear out of nowhere. True, I might be wrong and perhaps I arrived a little too late to this party, but I doubt this to be entirely true since a small scavenging around the Internet for further information provides little more. I failed to find a list of nominees or the exact publishing period taken into consideration for the 2014 Ion Hobana Award, I only assume that we are talking about October 2013 – October 2014, since the 2013 Ion Hobana Award recognized works published between June 2012 and October 2013. So, without further ado here are the two winners of the 2014 Ion Hobana Award. Still, I have only one thing to add before I finish, I welcome such initiatives and consider them commendable, but we really need to move forward. We need to establish a yearly, powerful award taking into consideration and recognizing all the praiseworthy efforts made on the Romanian speculative fiction. It would be the next important step towards making our genre stronger and towards the encouragement and recognition of our both new and established writers and their wonderful work and efforts.

“We’ll Return to Muribecca” (Ne vom întoarce în Muribecca) by Sebastian A. Corn (Nemira)

The ancient fortress “Z” is hidden in the Brazilian jungle, the old legends say. Surrounded by an air of mystery, the explorer Percy Fawcett goes in its search. The time and space are multipling, the characters and stories are blending in a novel that defies the literary genres and conventions. Sebastian A. Corn is returning with a book recommended to all those for which dreaming and thinking are essential actions.

“Vegetal” (Vegetal) by Marian Truţă & Dănuţ Ungureanu (Nemira)

Congratulations to the winners!

Friday, November 14, 2014

Cover art - "Fletcher" by David Horscroft

Joey Hi-Fi’s book covers send me in compulsive behavior (I exaggerate a bit since things are not that extreme and I draw only enjoyment out of his artwork, although this point of view might be consider entirely subjective and could end up being argued). Anyway, ever since I laid my eyes on Joey Hi-Fi’s art for the first time I was fascinated by his style and the depth of his works. Each one seems to hold secrets beyond the first viewing, every time I return to what seems to be a familiar art piece I discover new elements and aspects that escaped my initial experience with the artwork in question. And if such an artwork adorns a book cover my curiosity for that particular book is triggered instantly. I am perfectly aware that I shouldn’t judge a book by its cover and from most of my previous incidents with the statement in question its truth was proved on countless of times, in both ways. But that doesn’t mean it is not a good starting point for gathering information about a new book or an unfamiliar writer, as good as any other. It happened to me again with the latest of Joey Hi-Fi’s book covers, this one for David Horscroft’s novel “Fletcher”, released by the South African publisher Fox & Raven Publishing. Nothing new when it comes to the artwork, it brought me excitement and made me as curious as a cat about David Horscroft’s “Fletcher”. So, I’ve started digging further and that led me to quite a couple of interesting and intriguing things. Enough not to let David Horscroft’s “Fletcher” pass me with only Joey Hi-Fi’s cover artwork noticed at this novel.

“I once watched K Fletcher devour a hostage, just to outlast a police siege. She—the hostage—lived through it all, right until K started on her lungs. Several officers resigned that day. Two killed themselves within the week.
Ruthless, destructively impulsive, infuriatingly resourceful, manipulative to the extreme and insanely dangerous when bored, K Fletcher is not what I would call ‘human’. Rather, it’s a murderous force of nature, lurking behind the person-mask of an alcoholic, drug-infused private detective. With the world falling apart at the seams, I guess that’s exactly what you need to be to survive.”
– Secret Service briefing, speaker classified.

What people are saying about Fletcher

"This charming killer is nearly indestructible, and goes where even demons would hesitate to tread - a blood-drenched, death-defying thriller."
- Nerine Dorman

Wednesday, November 12, 2014

In the news - Sofia Samatar works on two new books

I was delighted to see Sofia Samatar’s “A Stranger in Olondria” adding next to a British Fantasy Award and a Crawford Award a World Fantasy Award for best novel the past week-end, in my opinion entirely deserving so, because it was one of the my favorite books I read last year, and not only. It was not the sole reason of joy for me when it comes to “A Stranger in Olondria” since I also discovered that Sofia Samatar is hard at work not only on a sequel of her debut novel, entitled “The Winged Histories”, but also on a volume of short stories, both of them due to be released by the publisher of “A Stranger in Olondria”, Small Beer Press. And both coming with guarantees, “A Stranger in Olondria”, as I’ve already mentioned, lines up awards and praise, while a collection of short stories can only be a great thing, if only we take into account the excellent “Selkie Stories are for Losers” as an example. But there are others such goodies that make a contribution to the said guarantee and you can find a list on Sofia Samatar’s website, with appropriate links to those available for free online. I am looking forward with excitement for both Sofia Samatar’s new books and hopefully to plenty others to come.

Monday, November 10, 2014

2014 World Fantasy Awards

In a ceremony held during the World Fantasy Convention, that took place in Washington, D.C. between November 6th and 9th, the winners of the 2014 World Fantasy Awards have been announced:

Ellen Datlow
Chelsea Quinn Yarbro

“A Stranger in Olondria” by Sofia Samatar (Small Beer Press)

“Wakulla Springs” by Andy Duncan & Ellen Klages (, 10/13)

“The Prayer of Ninety Cats” by Caitlín R. Kiernan (Subterranean Magazine, Spring 2013)

“Dangerous Women” edited by George R.R. Martin & Gardner Dozois (Tor Books/Voyager UK)

“The Ape’s Wife and Other Stories” by Caitlín R. Kiernan (Subterranean Press)

Charles Vess

Irene Gallo, art director of
William K. Schafer, for Subterranean Press

Kate Baker, Neil Clarke & Sean Wallace, for Clarkesworld Magazine

Congratulations to all the winners!

Wednesday, November 5, 2014

2014 Premios Nocte

The past week-end, during the Gothic Week of Madrid (Semana Gótica de Madrid), in a ceremony held at the National Museum of Romanticism in Madrid, the Spanish Horror Writers Association (Asociación Española de Autores de Narrativa de Terror) has announced the winners of 2014 Premios Nocte:


El hombre que nunca sacrificaba las gallinas Viejas (The Man Who Never Sacrificed Old Hens)  by Darío Vilas (Tyrannosaurus books)

Marquitos Laguna has retired from his job. Now he prefers to care for his garden and to collect the eggs of his hens. Before, in other age, Marquitos was a vigilante of few words, a crytozoological killer in the abundant island of Simetría, a two meters wall of punches sheathed in a glove of a man in a black suit. But not anymore, his darkest nights were left behind. Or it is what he believed until a few hours ago. Because suddenly, the old hens, the ones he never sacrifice, God knows why, have started to flutter here and there, leaving all covered in feathers. The land of the garden that now is dedicated to caring, has begun to tremble. The rotting flesh of a lifetime in black strives to break through from the base of jagged and broken fingernails. And Marquitos, a two meters wall of love down at heel, fears the worse:
That his darkest nights return. That he’ll choke with the smell of a Magnolia.
Or that the time to sacrifice again has come.

“The Man Who Never Sacrificed Old Hens” is a story of bizarre realism, of an island that houses all the human filth, of ghosts from the past returning to down whiskey glasses on a bar counter. Of imaginary vampires, of mental zombies accompanying the protagonist and of a vengeful entity intending to finish a murder masterpiece: The Blue Magnolia.


La mirada del Dodo (Dodo’s Gaze) by José María Tamparillas (Anatomías secretas / Nostrum)


Umbría (Umbria) by Santiago Eximeno (El humo del escritor)

The city of Umbría is a kaleidoscope of perversion and loss, an universe of stories linked by elements such as barbed wire, sex and loneliness, a place that allows Santiago Eximeno to demonstrate the explicit horror of human nature. Umbría is origin and destination and it is present in the memories of all those who have hidden their fears.

With this collection, besides raising a physical and tangible Umbría, Santiago Eximeno gives form to one of the best and most striking examples of argumentative potential of the fix-up technique in literature.


La Casa de Hojas (The House of Leaves) by Mark Z. Danielewski (Alpha Decay)


Congratulations to all the winners!