Thursday, July 31, 2014

Correction to the 2014 Ignotus Awards list of nominees

It seems there has been a bit of a mix-up with the list of nominees for the 2014 Ignotus Awards and in consequence the Novella and Short Story categories have been affected, as announced by the administrator of the Ignotus Awards, Ricardo Manzanaro:

It has been detected that the work “La edad del vuelo” (The Age of Flight) by Alberto Moreno Pérez (Espiral Ciencia Ficción #53) has 45.000 words, and because of this it cannot be nominated for the “Novella” category, restricted to maximum 40.000 words, although almost all the votes received by the work were as “Novella”. “La edad del vuelo” (The Age of Flight” is eligible for the “Novel” category, for which it is one vote away from the list of finalists, therefore it should be excluded from the list.

The opened place as finalist for the best novella is occupied by the next classified work, in this case “Detective” (Detective) by Rodolfo Martínez and “Mecaderes de tiempo” (Time Traders) by Victor Conde, both with the same number of votes. As the work of Conde has approximately 14.500 words and doesn’t reach the minimum of 17.500 words to be considered for the “Novella” category, passes then to the “Short Story” category, gathering sufficiently number of votes to be included among the finalists.

Therefore, the nominees for the “Novella” and “Short Story” categories are as follows:

“Detective” (Detective) by Rodolfo Martínez (Sportula)
“En el filo” (On the Edge) by Ramón Muñoz (from “Terra Nova Vol. 2” / Fantascy)
 “La montaña” (The Mountain) by Juan González Mesa (Bizarro)
“La penúltima danza del Griwll” (Griwll’s Penultimate Dance) by Ramón Merino Collado (“De monstruos y Trincheras” / Juan José Aroz, Espiral)
“Rafentshalf” (Rafentshalf) by Jesús Fernández Lozano (from “Reyes de aire y agua” / Cápside)

“Dariya” (Dariya) by Nieves Delgado (from “Ellos son el future” / Web Ficción Científica / Revista Terbi nº 7)
“El aeropuerto del fin del mundo” (The Airport at the End of the World) by Tamara Romero (from “Visiones 2012” / AEFCFT)
“El enemigo en casa” (The Enemy Within) by Concepción Regueiro (from “Historias del Crazy Bar” / Stonewall)
“Mecaderes de tiempo” (Time Traders) by Victor Conde (Sportula)
“La última huella” (The Last Footprint) by Miguel Santander (from “La costilla de Dios” / Libralia / Revista TerBi nº 6)
“Los orcos no comen golosinas” (The Orcs Don’t Eat Sweets) by Carlos López Hernando (from “Visiones 2012” / AEFCFT)
“Wendy de los gatos” (Wendy of the Cats) by Jesús Fernández Lozano (from “Reyes de aire y agua” / Cápside)

The administrator apologizes for this last moment verifications.
Ricardo Manzanaro, the administrator of the Ignotus Awards

Wednesday, July 30, 2014

Title spotlight - "Cleopatra's Needle" by Carole Lanham

You know that question about a certain number of books one would like to have on a deserted island, well, said question starts sending shivers down my spine each time I hear it. You see, I would need a large coffer for the books I would like to have with me in such an unfortunate case and I would still panic since I believe it will not be enough. Of course, there is hardly need for worry, this hypothesis assumes that one foretells the event and brings all the right books along instead of staying home and avoiding such a grim perspective, from multiple points of view. But I’ll play along once more with the assumption and say that in the case of ending up stranded on an island I would love to find among the books I’d have with me Carole Lanham’s “The Whisper Jar” too. This collection of short stories was for me one of the most pleasant surprises of recent years, each tale satiating my reading appetite while at the same time making me hungry for more. With “The Whisper Jar” leaving me craving for more of Carole Lanham’s fiction I went on the hunt for each new book she published. As a result, following Carole Lanham’s debut novel, “The Reading Lessons”, just this week the hunt brought a new trophy, her novella “Cleopatra’s Needle”. And by the looks of it, “Cleopatra’s Needle” promises to bring a story perfectly fit for Carole Lanham’s whisper jar, a tale of secrets, witchcraft, cruelty and romance. A story that I need to devour right away. And which brings me back to the question from the beginning, if each year offers for reading and consideration new, wonderful books from our favorite writers, such as Carole Lanham for me, or recently discovered authors, how am I to make a choice of beloved titles limited to only a handful of them?

There are monsters in this world, I’ve learned, and sometimes I have fallen victim to them and sometimes I have been one… 

When Lilabet last saw Iago, they were ten years old. Whisked off to America by his father in a desperate attempt to escape the dark superstitions of Wales, Iago’s letters have been the single thing to connect them. Now, fourteen years have passed and Iago has asked Lilabet to be his bride. 

Eager to begin a modern life in an exciting new land with the man she has loved for all her days, Lilabet is about to discover that black magic may find a home on any shore. Three red-haired witches have been playing a deadly game of revenge with Iago and if she wants to have a life with him, Lilabet will first have to fight the dark forces that have claimed her young husband for their own.

Monday, July 28, 2014

Free subscription - Aurealis Magazine

Aurealis, the prestigious Australian fantasy and science fiction magazine, celebrates soon 25 years of continuous publication and as part of this celebration Aurealis Magazine is offering to the readers a free half-year subscription for 2014. To get the last 5 issues of the year, Aurealis #72 to Aurealis #76, you can make a free subscription to Aurealis Magazine on its Subscription Page. The offer is open until the end of July.

Friday, July 25, 2014

Release day - "Depth Charging Ice Planet Goth" by Andrez Bergen

There is no secret that “Tobacco-Stained Mountain Goat” and “One Hundred Years of Vicissitude” made Andrez Bergen a favorite around this blog. There is hardly a secret, since I’ve trumpeted often, wide and long enough, that I am falling way behind with my readings, reviews and interviews and as much as I dislike this fact Andrez Bergen’s “Who is Killing the Great Capes of Heropa?” is one of my most anticipated books still waiting unread on the bookshelves. Well, it is time to put a stop to all the complaining and start acting, therefore, I believe a reading goal for the remaining of 2014 is in order, despite dropping altogether any such objectives a while back. So, by the end of this year I will do my best to not only read “Who is Killing the Great Capes of Heropa?”, but also Andrez Bergen’s new novel, “Depth Charging Ice Planet Goth”, released today by Perfect Edge Books. And with that said I think it is time to start putting some effort behind my attempt of achieving the said objective, but not before congratulating Andrez Bergen on his new book release day.

A wild carnival of a novel that treads Kafkaesque territory and spills over the rails to plumb the depths of a murder mystery.
She's a disturbed, quiet girl, but Mina wants to do some good out there. It's just that the world gets in the way. This is Australia in the 1980s, a haven for goths and loners, where a coming-of-age story can only veer into a murder mystery.

Thursday, July 24, 2014

Table of contents - "The Spectral Book of Horror Stories" edited by Mark Morris

I hold small, independent publishers to high esteem, I find more often than not that they are bolder than the bigger presses when it comes to publishing books that break the confines of certain limits and their sustained efforts of bringing challenging titles to the readers are nothing short of praiseworthy. One such small publisher, of which I’ve become quite fond ever since its foundation in 2011, is Spectral Press. An independent publisher dedicated mostly to limited signed editions of single story chapbooks and occasional novellas Spectral Press released over time some very interesting titles from some of my favorite writers, such as Gary McMahon’s “What They Hear in the Dark”, Cate Gardner’s “Nowhere Hall”, Alison Littlewood’s “The Eyes of Water”, Tim Lebbon’s “Still Life”, Mark West’s “What Gets Left Behind” or Stephen Volk’s “Whitstable”, with more coming in the future from Angela Slatter, Lisa Hannett, Simon Bestwick, Robert Shearman and Ray Cluley. Recently Spectral Press started to publish single-author short story collections, such as Paul Kane’s “Ghosts”, and multi-author anthologies, such as “The 13 Ghosts of Christmas” edited by Simon Marshall-Jones, as well, and in this case, the next on the line is a very interesting brand new anthology, inspired by the popular 1960’s and 1970’s Pan and Fontana books of horror and ghost stories, “The Spectral Book of Horror Stories”. The good things do not stop with this little piece of news, in the style of the Pan and Fontana books of horror stories Spectral Press intends for “The Spectral Book of Horror Stories” to be an annual anthology, bringing each year new, original stories from the very best writers of the genre. The first collection of this series is edited by Mark Morris and gathers a stellar line up of authors, including Angela Slatter, Alison Littlewood, Helen Marshal, Alison Moore, Gary McMahon, Conrad Williams, Stephen Volk, Robert Shearman, Michael Marshall Smith, Ramsey Campbell and Reggie Oliver. Equally outstanding is the artist and his cover artwork, the impressive Vincent Chong put his talent to excellent use and has created a perfect cover for “The Spectral Book of Horror Stories”, a creepy, disturbing artwork, but with plenty of alluring power to tempt the readers into stepping over the threshold of this anthology. (If you wish to see more, there is a little post on Vincent Chong’s blog describing the process of creation and some of the sketches of this cover.) “The Spectral Book of Horror Stories” will be launched at the 2014 British Fantasy Convention, taking place in York during 5th and 7th September, with a mass signing session. With great regret I have to accept that as much as I would love to attend this book launch and get a copy signed by these wonderful writers this time it will not be possible, so the only thing it remains for me to do is wish all the best to Spectral Press and its new series of short story collections. And also to delight in the interviews made by Angela Slatter with the authors featured on the table of contents uncovering a bit of their writing process and the story behind the stories from “The Spectral Book of Horror Stories”.


“The figure crouched over his mother was… taking something from her, sliding some spidery thing that struggled and screamed soundlessly out of her side and into his leathery dark bag…”
THE NIGHT DOCTOR by Steve Rasnic Tem

“I saw her skin turn black and erupt in blisters and pustules as in one last mute appeal she stretched her hand towards me over the flames…”
THE BOOK AND THE RING by Reggie Oliver

“There wasn’t much of a struggle even when Tomas lashed him, limb by limb, to the stakes, although he had plenty to say to Tomas’s back as he walked away.
It was when Tomas reappeared, leading the shaggy, horned thing from the barn, that Mr Sunshine really started to squeal…”

“On the Tour” by Ramsey Campbell
“The Dog’s Home” by Alison Littlewood
“Funeral Rites” by Helen Marshall
“Slape” by Tom Flecther
“The Night Doctor” by Steve Rasnic Tem
“Dull Fire” by Gary McMahon
“The Book and the Ring” by Reggie Oliver
“Eastmouth” by Alsion Moore
“Carry Within Some Small Sliver of Me” by Robert Shearman
“The Devil’s Interval” by Conrad Williams
“Stolen Kisses” by Michael Marshall Smith
“Cures for a Sickened World” by Brian Hodge
“The October Widow” by Angela Slatter
“The Slista” by Stephen Laws
“Outside Heavenly” by Rio Youers
“The Life Inspector” by John Llewellyn Probert
“Something Sinister in Sunlight” by Lisa Tuttle
“The Video Does Not Exist” by Nicholas Royle
“Newspaper Heart” by Stephen Volk

Tuesday, July 22, 2014

Free fiction - "Lipstick" by Michael Haulică

I am certain that plenty of Romanian writers can make an important contribution to the world of speculative fiction and I do hope that one day more of their works would be translated into English. If that starts to happen sooner rather than later remains to be seen, until then, here is another example of Romanian speculative fiction, a morsel of a story, “Lipstick”, written by one of the most important names of the local science fiction, Michael Haulică. “Lipstick” was published several times in Romanian, in 1993 in Jurnalul SF (SF Journal), 1996 in Dependent SF (SF Addicted), 1998 in Dealul Melcilor (Snails’ Hill), 2001 Cronica Română (Romanian Chronicle), in the author’s personal volumes, “Madia Mangalena” (1999) and “Fantastic Stories” (2010), translated into Danish in 2004 and published in “Science Fiction” magazine and in English in “Magaera” (2003), “Magaera Anthology Vol.1” (2005) and Anotherealm (2003), being finalist of the “Invasion” contest. You can read Michael Haulică’s “Lipstick”, translated by Adriana Moșoiu, either on his personal site or on Anotherealm.

Friday, July 18, 2014

Title spotlight - "Scale Bright" by Benjanun Sriduangkaew

I am always thrilled to see a favorite writer publishing a new book, there is a joyful anticipation in opening a preferred author’s new work, a delightful feeling of meeting an old friend again. But there is a different, wonderful excitement to be had at the discovery of a new writer, a new author who enrich and refresh the reading experience and puts a spell on me with her/his writing. My latest such excitement comes from Benjanun Sriduangkaew, a name heavily underlined on the list of newly discovered writers, who kept me mesmerized from her first story I’ve read, “Fade to Gold” (“End of the Road” edited by Jonathan Oliver), until the last, the recently re-published “Courtship in the Country of Machine-Gods” (The Future Fire, September 2012/“The Apex Book of World SF 3” edited by Lavie Tidhar/Apex Magazine, July 2014). And every single one of these stories turned Benjanun Sriduangkaew into a certainty for me. Unfortunately, I haven’t read all of her stories published so far, for one reason or another some of them skipped under my radar. However, besides the two stories already mentioned, “The Bees Her Heart, The Hive Her Belly”, “The Crows Her Dragon’s Gate”, “Annex”, “Vector”, “Silent Bridge, Pale Cascade”, “Zeraquesh in Absentia”, “Autodidact” and “Golden Daughter, Stone Wife” were as many motives of delight, of immersing into magical worlds and tales, as many challenging stories full of beautiful writing and sensibility. But as I am still in love with the printed books, without much chance of falling out of it, I was delighted to learn that I’ll soon have the chance to add a book bearing Benjanun Sriduangkaew’s name on the bookshelves with my favorite volumes. “Scale Bright” is Benjanun Sriduangkaew’s upcoming novella, due to be released by Immersion Press, and by the sounds of its blurb we can expect once again a fascinating world within our own, a captivating and original story, with melancholically and delicate touches. Besides the assured writing of Benjanun Sriduangkaew. To make things even better, Immersion Press didn’t repeat the slip it made with Aliette de Bodard’s “On a Red Station, Drifting” (as excellent as that novella was its cover was nowhere near its true value) and accompanied Benjanun Sriduangkaew’s “Scale Bright” with an equally seductive cover, created by Richard Wagner. As a result, there are plenty of arguments for me not to miss “Scale Bright” when it is released.

Julienne’s aunts are the archer who shot down the suns and the woman who lives on the moon. They teach her that there’s more to the city of her birth than meets the eye—that beneath the modern chrome and glass of Hong Kong there are demons, gods, and the seethe of ancient feuds. As a mortal Julienne is to give them wide berth, for unlike her divine aunts she is painfully vulnerable, and choice prey for any demon.
Until one day, she comes across a wounded, bleeding woman no one else can see, and is drawn into an old, old story of love, snake women, and the deathless monk who hunts them.

Thursday, July 17, 2014

2014 Ignotus Awards nominees

AEFCFT, Asociación Española de Fantasía, Ciencia Ficción y Terror (The Spanish Fantasy, Science Fiction and Horror Association) has announced the nominees for the 2014 Ignotus Awards, the awards created in 1991 and celebrating each year the works of Spanish speculative fiction as well as the ones translated into Spanish. The winners of the 2014 Ignotus Awards will be announced at Hispacon – MIRcon, the Spanish National Fantasy and Science Fiction Convention, which takes place between 6th and 8th December in Montcada i Rexac (Barcelona).

“Esta noche arderá el cielo” (This Night the Sky Will Burn) by Emilio Bueso (Salto de Página)
“Gente muerta” (Dead People) by J. G. Mesa (aContracorriente)
“La canción secreta del mundo” (The Secret Song of the World) by José Antonio Cotrina (Hidra)
“Los nombres muertos” (The Dead Names) by Jesús Cañadas (Fantascy)
“Memoria de tinieblas” (Memory of Darkness) by Eduardo Vaquerizo (Sportula)

“En el filo” (On the Edge) by Ramón Muñoz (from “Terra Nova Vol. 2” / Fantascy)
“La edad del vuelo” (The Age of Flight) by Alberto Moreno Pérez (“Zaibatsu / La edad del vuelo” / Juan José Aroz, Espiral)
“La montaña” (The Mountain) by Juan González Mesa (Bizarro)
“La penúltima danza del Griwll” (Griwll’s Penultimate Dance) by Ramón Merino Collado (“De monstruos y Trincheras” / Juan José Aroz, Espiral)
“Rafentshalf” (Rafentshalf) by Jesús Fernández Lozano (from “Reyes de aire y agua” / Cápside)

“Dariya” (Dariya) by Nieves Delgado (from “Ellos son el future” / Web Ficción Científica / Revista Terbi nº 7)
“El aeropuerto del fin del mundo” (The Airport at the End of the World) by Tamara Romero (from “Visiones 2012” / AEFCFT)
“El enemigo en casa” (The Enemy Within) by Concepción Regueiro (from “Historias del Crazy Bar” / Stonewall)
“La última huella” (The Last Footprint) by Miguel Santander (from “La costilla de Dios” / Libralia / Revista TerBi nº 6)
“Los orcos no comen golosinas” (The Orcs Don’t Eat Sweets) by Carlos López Hernando (from “Visiones 2012” / AEFCFT)
“Wendy de los gatos” (Wendy of the Cats) by Jesús Fernández Lozano (from “Reyes de aire y agua” / Cápside)

“Cuentos para Algernon Año I” (Stories for Algernon, Year One) edited by Marcheto (Cuentos para Algernon)
“Hic sunt dracones. Cuentos imposibles” (Hic sunt dracones. Impossible Dreams) by Tim Pratt (Fata Libelli)
“La bomba número seis” (Pump Six and Other Stories) by Paolo Bacigalupi (Fantascy)
“Reyes de aire y agua” (Kings of Air and Water) by Jesús Fernández Lozano (Cápside)
“Terra Nova Vol. 2” (Terra Nova, Volume 2) edited by Mariano Villarreal & Luis Pestarini (Fantascy)

“Cómo escribir ciencia-ficción y fantasia” (How to Write Science Fiction and Fantasy) by Orson Scott Card (Alamut)
“El poder de la sangre” (The Power of Blood) by Pedro L. López (Dolmen)
“Jack Kirby. El cuarto demiurgo” (Jack Kirby. The Fourth Demiurge) by José Manuel Uría (Sportula)
“Japón sobrenatural” (Supernatural Japan) by Daniel Aguilar (Satori)
“La biblia steampunk” (The Steampunk Bible) by Jeff Vandermeer & S. J. Chambers (Edge Entertainment)
“La 100cia ficción de Rescepto” (The Hundredth Fiction of Respect) by Sergio Mars (Cápside)
“La literatura fantástica argentina en el siglo XIX” (The 19th Century Argentinean Fantastic Literature) by Carlos Abraham (La Biblioteca del Laberinto)
“Silencios de pánico” (Panicked Silences) by Diego López & David Pizarro (Tyrannosaurus Books)
“Steampunk Cinema” (Steampunk Cinema) by various writers (Tyrannosaurus Books)

“Howard Koch, el guionista tras la magia de La guerra de los mundos de Orson Welles” (Howard Koch, the screenwriter behind the magic of Orson Welles’ The War of the Worlds) by Luis Alfonso Gámez (Web Magonia)
“La ciencia ficción española” (The Spanish Science Fiction) by Mariano Villarreal (Web El rincón de Koreander)
“Literatura Fantástica en cifras. Estadística de producción editorial de género fantástico en España durante el año 2013” (The Fantastic Literature in Numbers. Editorial Statistics of Production of the Fantasy Genre in Spain During 2013) by Mariano Villarreal (Web Literatura Fantástica)
“Sobre la fantasía feérica” (About the Fairy Fantasy) by Sergio Mars (Antología Reyes de aire y agua)
“Ucronía” (Ucronia) by Asociación Cultural ALT+64 (Revista TerBi nº 7 / Web alt+64 Wiki)

The cover of Koldo Campo for De monstruos y trincheras” (Of Monsters and Trenches) (Juan José Aroz, Espiral)
The cover of Carlos Argiles for El dirigible” (The Dirigible) (Dlorean)
The cover of Alejandro Colucci for El mejor de los mundos posibles” (The Best of All Possible Worlds) (RBA)
The cover of Eduardo Vaquerizo for Memoria de tinieblas” (Memory of Darkness) (Sportula)
The cover of Olga Esther for Reyes de aire y agua” (Kings of Air and Water) (Cápside)
The cover of Ángel Benito Gastañaga for Terra Nova Vol. 2” (Terra Nova, Volume 2) (Fantascy)
The cover of Koldo Campo for Zaibatsu / La edad del vuelo” (Zaibatsu / The Age of Flight) (Juan José Aroz, Espiral)

“El cosmonauta” (The Astronaut) by Nicolás Alcalá (Feature Film)
“Fallo de Sistema” (System Failure) by Santiago Bustamante (Radio Program)
“Los últimos días” (The Last Days) by Álex Pastor & David Pastor (Feature Film)
“Luces en el Horizonte” (Lights of the Horizon) by Luis Martínez & Pablo Uría (Podcast)
“Los VerdHugos” (The VerdHugos) by Miquel Codony, Pedro Román, Elías F. Combarro & Joseph María Oriol (Podcast)

The category has been cancelled this year because it didn’t reach the minimum number of candidates as it is stated in the Article 26 of the Rules for the Ignotus Awards.

The category has been cancelled this year because it didn’t reach the minimum number of candidates as it is stated in the Article 26 of the Rules for the Ignotus Awards.

Alfa Eridiani (Asociación Cultural Alfa Eridiani)
Barsoom (La Hermandad del Enmascarado)
Delirio (La Biblioteca del Laberinto)
miNatura (Asociación Cultural miNatura Soterrània)
Planetas Prohibidos (Grupo Planetas Prohibidos)
Scifiworld (Inquidanzas Ediciones)

“2312” (2312) by Kim Stanley Robinson (Minotauro)
“El vacío de la evolución” (The Evolutionary Void) by Peter F. Hamilton (La Factoría de Ideas)
“Embassytown” (Embassytown) by China Miéville (Fantascy)
“La casa de hojas” (House of Leaves) by Mark Z. Danielewski (Alpha Decay)
“El ladrón cuántico” (The Quantum Thief) by Hannu Rajaniemi (Alamut)
“Las luminosas” (The Shining Girls) by Lauren Beukes (RBA)
“Tierras rojas” (Red Country) by Joe Abercrombie (Alianza)

“26 monos, además del abismo” (26 Monkeys, Also the Abyss) by Kij Johnson (Cuentos para Algernon Vol I)
“Araña, la artista” (Spider, the Artist) by Nnedi Okorafor (Terra Nova Vol 2 / Fantascy)
“El hombre que puso fin a la Historia: documental” (The Man Who Ended History: A Documentary) by Ken Liu (Terra Nova Vol 2 / Fantascy)
“Las manos de su marido” (Her Husband’s Hands) by Adam-Troy Castro (Terra Nova Vol 2 / Fantascy)
“Separados por las aguas del Río Celeste” (Scattered Along the River of Heaven) by Aliette de Bodard (Terra Nova Vol 2 / Fantascy)
“Sueños imposibles” (Impossible Dreams) by Tim Pratt (Hic sunt dracones / Fata Libelli)

“Alt+64-Wiki” - Asociación cultural Alt+64 (
“Cuentos para Algernon” - Marcheto (
“La tercera fundación” - Asociación para la difusión de la literatura fantástica ‘Los Conseguidores’ (
“Literatura Fantástica” - Mariano Villarreal (
“Sense of wonder” - Elías Combarro (

Congratulations and good luck to all the nominees!