I am certain that Michael J. Sullivan lives a dream, he turned from a self-published writer into a contracted author and now he steps even farther. Farther because Michael J. Sullivan became a translated writer as well, with the first novel in The Riyria Revelations, “The Crown Conspiracy”, being published in France this month, by Milady, a Bragelonne imprint. I really like Michael J. Sullivan’s series, despite that I still need to catch up with the last two novels in The Riyria Revelations, “Wintertide” and “Percepliquis”. It is a fantasy story in the old style, adventurous and fun, that becomes stronger with each novel. I felt it myself, especially since the last novel of the series I read, “The Emerald Storm”, was my favorite so far. Although I still need to sit at my table and write its review.
Back to the French fantasy market, as tiresome as it might seem, once again the French readers are spoiled with an excellent cover artwork. I am not a fan of the covers Orbit Books chose for their three omnibus editions of Michael J. Sullivan’s “The Riyria Revelations”. No fan at all. Still, if you opted for highlighted characters on the book cover why not go with the choice made by Milady’s art department. Especially since they did not go with only the characters, but also set a scene and atmosphere for their cover. It is also very true that I’ve seen this type of art on a book cover before and it is quite typical for the fantasy genre, but same as with Michael J. Sullivan’s novels, what you see is what you get. A catchy and very enjoyable fantasy adventure in this case. And as I like “The Riyria Revelations” I also like what the magical touch of the very talented Marc Simonetti (responsible for plenty of other awesome French book covers we’ve seen in the past) did with the cover for “La Conspiration de la Couronne” (The Crown Conspiracy).
Later edit: A small negligence on my behalf made the French edition the first translation of Michael J. Sullivan’s work. However, as Michael points out in the comments, his works were first published outside the English market on Czech Republic, Poland and Spain, with contracts signed for Russian, Portuguese (Brazil), Japanese and German editions.