Chizine Publications will release on June 26th
a new novel by David Nickle, “Rasputin’s Bastards”. As I said in my post about
the book trailer “Rasputin’s Bastards” is one of the novels I am looking
forward to read. Well, to be more precise I am already reading it and after the
first quarter of David Nickle’s novel I only regret I cannot read faster. However,
we do have the chance now to take a look behind the process of creation of
“Rasputin’s Bastards” with the help of a guest post by David Nickle.
The Russians of “Rasputin’s Bastards”
by David Nickle
My novel “Rasputin's
Bastards” is big; the biggest book I've written thus far. My editor, Sandra Kasturi, nicknamed it the
Fat Bastard. I call it my Russian Novel—in part because of its Tolstoy-like
girth, but also because it is, well, Russian. While I dip my toe in a lot of
nationalities and ethnicities to tell this story of psychic spies before,
during and after the Cold War—really, in my re-imagined history of the
invisible Great Game, it's the Russians who get it right.
I was drawn to writing about Russians honestly; it's in
my blood.
My grandmother and her sisters escaped the Russian
Revolution, after her father had the misfortune to sit in one of the three
Dumas (my mother thinks the first, I think the second), and faced some
unpleasant questions, and a fierce beating, from the aristocracy after its
dissolution. They came to Canada without much money, education, or hope.
My grandmother Olga was the looker of the family, and she
also could sing—and none of that led to great wealth it gave her an exciting
life in Depression-era Toronto. In the 1920s and 1930s, she tried singing (it
didn't work out, mostly because her lack of formal education made it impossible
for her to learn to read sheet music) and prior to that, acting in the movies. There is a silent reel or two out there
somewhere, in which she plays an Indian Princess, swept over Niagara Falls at
the film's climax.
During a trip to California, I am told she went on a date
with Boris Karloff, who was a perfect gentleman, and therefore an exception to
the sorts of fellows she met there, who were mashers, one and all.
This was before my time, though, and the information was
mostly delivered to me via my mother. My grandmother would not trouble children
with stories of the Depression in Toronto or Hollywood debauchery; rather, she
would spin fanciful tales of her childhood, wandering from village to village
in the Ukraine in the early 1900s, where she would charm restless horses, solve
problems that vexed the villagers and delight all who met her.
Her Russia was a dreamy place, and although even as a
small child I suspected it was an unrealistically dreamy place, it struck me as
being worth a visit. Some of the more colorful visions that emerge in “Rasputin's
Bastards” probably have their genesis in my Babushka's tall tales.
As to other ethnicities that emerge in the novel. There
are Romanians who generally are quiet and terrifying; I employed them mostly
because of the reputation of the Romanian Securitat at the time, as being
exceptionally dangerous. I gravitated to Turkey for similarly plot-driven
reasons: I wanted antagonists and supporting characters who came from that part
of the world but also a more secular tradition, and Turkey seemed to fit that
bill.
The Americans are, well, Americans. And there are some
members of the New York Italian mob, and a young woman from Hong Kong, and a
pile of Canadians here and there. Those, I drew as best I could.
But ultimately, my heart was with the Russians in “Rasputin's
Bastards”. Those folk, after all, are family.
David Nickle is the author of more than 30 short stories, 13 of which
have been gathered in the collection “Monstrous Affections”. He is author of “Eutopia:
A Novel of Terrible Optimism”, and co-author of “The Claus Effect”, with Karl
Schroeder. Years ago, he and Karl won an Aurora Award for the short story that
inspired that novel, “The Toy Mill”. Some years later, he won a Bram Stoker
Award for short fiction, for a story called “Rat Food” - co-written with Edo
Van Belkom. He lives in Toronto, Canada. His website, The Devil's Exercise Yard
(http://sites.google.com/site/davidnickle/) has stories on it
for free.
More information about “Rasputin’s Bastards” can be found on Chizine Publications
website, as well as on the novel’s dedicated site, What is City 512?.
4 comments:
The cover for this book is awesome. It took me ages to notice there's a face in the clouds. Sounds like a good read too.
It is a great cover, I love it. And although I read only the first quarter of the novel until now I do like it so far :)
I definitely want to read this book.
Michael, it is a very interesting book. I enjoy it so far and I can wait to see how it ends :)
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