I never believed in fiction genres, I always thought
that a book is good because of its merits and not because it is crafted within
certain boundaries. Coming from someone reading lately in a low range of so
called genres this statement might sound a bit too brave and hypocritical, but
I had times when I explored far and wide across literature. And given just a
bit more free time I would do it again. One label I am terribly frustrated with
it is horror. To a certain point I understand the publishers’ tendency to
categorize literature, I even understand the readers’ tendency to follow these
categories to a limit, but lately I’ve noticed an injustice done to horror
literature just because it is labeled in such a way. In the past several years
I’ve read some wonderful pieces of fiction that stepped way over the simple boundaries
imposed by the horror label. Psychological, unsettling because it leaves the
reader deeply on thought, not because it tries to shock the audience by any
means, and emotional visceral I am certain that these books were ignored by
some just because they’re labeled as horror. It is a shame in my opinion,
because most of them deserve as wider an audience as possible. Now, don’t get
me wrong, I do not continue my hypocritical line and attempt to categorize
fiction myself, but it seems an injustice to put together such titles with the
more gory and violent ones. Like I’ve already said, each one of them deserves
consideration for what it is and not for the shallow description set by an identification
marker. We can start an entire debate based on my opinion, but it is not what I
am trying to do here. Instead, I wish to highlight a title featuring some of
the authors, labeled as horror writers, who enriched my reading experience
recently. And since British horror (again genre classification) seems to be
living a new era of glory, with so many talented writers pushing the limits of
the genre, it was only right for a yearly best to be born. “The Best British Horror 2014” is the first anthology, hopefully of
many, showcasing the new genre stories coming from the United Kingdom. Edited
by Johnny Mains and released by Salt Publishing “The Best British Horror” gathers in its first volume authors who
already proved the weakness of a simple label for this entire genre. Ramsey Campbell, Adam Nevill, Gary Fry, John Llewellyn Probert, Stephen Volk, Reggie Oliver or Michael
Marshall Smith brought their contribution in the great progress of the
genre, while Thana Niveau, Anna Taborska, V.H. Leslie or Robert
Shearman come with their own additions to its development. That’s just to
name some of those who make a presence on “The Best British Horror 2014” since
there are several others very talented writers who wait for a chance to be
published in the next British best horror volumes. And once again, I do hope
that such chances would arise in the form of many other “The Best British
Horror” collections for the years to come and so readers could track powerful
stories on yearly basis.
“When Charlie Sleeps” by Laura
Mauro (Black Static, Issue 37)
“Exploding Raphaelesque Heads” by
Ian Hunter (The Tenth Black Book of Horror, ed. Charles Black, Mortbury Press)
“The Bloody Tower” by Anna
Taborska (Terror Tales of London,
ed. Paul Finch, Gray Friar Press)
“Behind the Doors” by Ramsey
Campbell (Holes for Faces,
Dark Regions Press)
“The Secondary Host” by John
Llewellyn Probert (Exotic Gothic
Volume 5, Part 2, ed. Danel Olson, PS Publishing)
“The Garscube Creative Writing
Group” by Muriel Gray (The Burning Circus,
ed. Johnny Mains, British Fantasy Society)
“Biofeedback” by Gary Fry
(Shades of Nothingness, PS
Publishing)
“Doll Hands” by Adam Nevill (The Burning Circus, ed. Johnny Mains, British Fantasy Society)
“Guinea Pig Girl” by Thana
Niveau (The Tenth Black Book of Horror, ed. Charles Black, Mortbury Press)
“Touch Me With Your Cold, Hard
Fingers” by Elizabeth Stott (Nightjar Press)
“Dad Dancing” by Kate Farrell (The Tenth
Black Book of Horror, ed. Charles Black, Mortbury Press)
“The Arse-Licker” by Stephen
Volk (Anatomy of Death, Hersham
Horror Books)
“Doll Re Me” by Tanith Lee (Nightmare Magazine,
May 2013)
“Laudate Dominum (For Many
Voices)” by D.P. Watt (Shadows & Tall
Trees, Issue 5)
“Someone to Watch Over You” by
Marie O'Regan (Terror Tales of
London, ed. Paul Finch, Gray Friar Press)
“Namesake” by V.H. Leslie (Black Static, Issue 31)
“Come Into My Parlour” by
Reggie Oliver (Dark World: Ghost
Stories, ed. Timothy Parker Russell, Tartarus Press)
“The Red Door” by Mark Morris (Terror Tales of London, ed. Paul Finch, Gray Friar Press)
“Author of the Death” by
Michael Marshall Smith (Everything
You Need, Earthling Publications)
“The Magician Kelso Dennet” by
Stephen Volk(Terror Tales of Seaside,
ed. Paul Finch, Gray Friar Press)
“That Tiny Flutter of the Heart
I Used to Call Love” by Robert Shearman (Psycho-mania!,
ed. Stephen Jones, Constable & Robinson)