Thursday, August 11, 2011

Cover art - "Dead Winter" by C.L. Werner

One of the best fantasy artists and one of my top favorites is Jon Sullivan. Jon Sullivan’s works are always making me lose time in their admiration, but it is time well spent. Among his wonderful works we can find the cover artworks Jon Sullivan made for The Black Library’s novels, series of covers which would make me buy the novels without much other consideration if I wouldn’t know better. In the near future The Black Library will offer the readers, once again, to delight in one of Jon Sullivan’s covers, realized for one of their Warhammer titles. This time it is C.L. Werner’s “Dead Winter”, due to be released on May 2012. I loved C.L. Werner’s “Grey Seer” and “Temple of the Serpent” novels, featuring the skaven Thanquol, and I am happy to see Jon Sullivan’s artwork on one of C.L. Werner’s novels. Especially since the artwork looks really great, with a terrific atmosphere, excellent details and some nasty looking elements (in the favor of the artwork, of course). A wonderful cover that makes me eagerly await the release of the novel. You can also find more close-up details of the cover on The Black Library’s blog and more amazing artworks by Jon Sullivan on his website.

As for C.L. Werner’s “Dead Winter”, it sounds threatening, but very interesting:

More than a thousand years after the Age of Sigmar, the Empire he struggled to create rests on the edge of destruction – the reign of the greedy and incompetent Emperor Boris Goldgather has shaken down the great and prosperous edifice of his erstwhile realm. Without warning, a terrible and deadly plague strikes, wiping out entire villages and leaving towns eerily silent through the long frozen months. As the survivors struggle to maintain order and a worthy military presence, vermin pour up from the sewers and caverns beneath the cities, heralding a new and unspeakable threat – the insidious skaven!

Wednesday, August 10, 2011

"Razumov's Tomb" by Darius Hinks

"Razumov's Tomb"
The review is based on a bought copy of the book

As the Chaos moon of Morrslieb veers wildly off course, the Old World is wracked by a series of bizarre plagues. From a lofty spire of the Celestial College, the Empire's Grand Astromancer, Caspar Vyborg, scours the heavens for an explanation, seeking guidance in the stars. But as the Empire sinks further into madness and violence, his order is forced to search stranger places than the night sky - the investigation leads them to the grave of a long-dead sorcerer named Razumov and an ancient, half-remembered prophecy. Caspar decides that his only hope is to complete the dark rituals that killed Razumov centuries earlier, but as Morrslieb waxes full and ferocious magical storms begin to tear the very fabric of reality, Caspar learns the true, terrible nature of Razumov's tomb.

The Warhammer gaming universe came to a turning point this July with the release of Storm of Magic, the largest expansion released to date for this game. The winds of magic blow through the Warhammer universe in great force and maelstroms shatter the world changing the land and unleashing new monsters in this vast setting. This brings major changes to the game, but it is not where my interest lies. Not because I would not be attracted by such a game, but because due to my location and difficulties resulting from it, the Warhammer game and accessories were inaccessible commodities for a very long period of time. However, I did follow the reflection of this universe in the world of fiction, reading as many Black Library’s Warhammer series of novels as possible.

The changes brought by the expansion of the Warhammer universe are only naturally felt on the fiction section too. Darius Hinks’ “Razumov’s Tomb” is the first in a series of three novellas released by Black Library this summer to capture the changes brought by the blowing of the Storm of Magic on the fiction universe of Warhammer. The reader discovers early on the changes suffered by the setting and the awakening of powerful magic. Magic, that comes out with all guns blazing, takes the major role in Darius Hinks’ novella by sheer force. Strange and new creatures roam the land surprising its inhabitants, barely remembered prophecies will come to pass, huge armies of beastmen or undead try to overpower their enemies, one long buried and asleep behemoth will be awaken, all succeed on the “Razumov’s Tomb” canvas to bring the reader a high-speed action story. There is a bit of fighting too, but only as garnish for the main course, the clash of magic.

Caspar Vyborg, Grand Astromancer of the Celestial College, follows a prophecy in the hope that its predicted outcome will not come to pass. Discovering the prophecy and an all too important location is his apprentice, Gabriel Bloch, with whom Caspar will face the blowing winds of magic in unexpected ways. A small conspiracy awaiting the two wizards brings them in plenty of difficult situations, but to some hilarious moments too. Actually, the entire Darius Hinks’ novella is a bit lighter than the usual fiction I read on the Warhammer universe. There is plenty of humor in “Razumov’s Tomb” that lightens the heavy atmosphere, but also a small measure of irony, which brought a great smile for me in the final sequences of the novella. As a matter of fact, the final moments of “Razumov’s Tomb” sweetens plenty of dark consequences left by the winds of magic on the story.

I am not sure how the Storm of Magic affects the Warhammer gaming universe, but on the fiction section it is an interesting change. And although Darius Hinks’ “Razumov’s Tomb” is not a memorable reading, it offers a fantasy story with a quick pulse, full of strange creatures and magic, for those looking for it.

Monday, August 8, 2011

Cover art - "Antiphon" by Ken Scholes (French edition)

The list of nominees for 2011 World Fantasy Awards contains a few very pleasant surprises for me, one of them being the nomination of Stéphane Marsan and Alain Névant from the French publisher Bragelonne for the Professional Special Award. I am very familiar with the work of Bragelonne, mainly because my love for cover artwork and it is one of the fields where the efforts of Bragelonne are truly exceptional. Some of my favorites cover artworks come from Bragelonne and one that immediately comes to mind is Marc Simonetti’s beautiful cover for Ken Scholes’ “Lamentation”. Bragelonne continued to collaborate with the talented Marc Simonetti for the second novel in Ken Scholes’ “Psalms of Isaak” series, “Canticle”, as well as for the third one, “Antiphon”, due to be released in France on 26th of August. Marc Simonetti made another wonderful cover, although the figure appearing on the “Antiphon” cover artwork isn’t very attractive for me. However, the scene and the general sense of the artwork are at a high level, as is the work of Marc Simonetti usually. Looking over this series of covers and considering the pleasant presence of Bragelonne on the list of World Fantasy Awards nominees I do hope that someday I will see the name of Marc Simonetti on the same list too and why not, on the winners list as well.

Saturday, August 6, 2011

Cover art - "Reap the East Wind" by Glen Cook

I’ve talked about Raymond Swanland's artwork and book covers plenty of times before. So, without much comment here is another excellent mix of Raymond Swanland’s exceptional talent and Glen Cook’s “Dread Empire” series of novels, put together for us once again by Night Shade Books.

Thursday, August 4, 2011

"Thirteen Years Later" by Jasper Kent

"Thirteen Years Later"
Publisher: Bantam Press (UK) & Pyr (USA)
Previous novels in the series: "Twelve"
Review copy received through the courtesy of the UK publisher, Bantam Press

1825. Russia has been at peace for a decade. Bonaparte is long dead and the threat of invasion is no more. For Colonel Aleksei Ivanovich Danilov, life is calm. The French have been defeated, as have the twelve monstrous creatures he once fought alongside, and then against, all those years before. His duty is still to his tsar, Aleksandr the First, but today the enemy is merely human.
However, the tsar himself knows he can never be at peace. He is well aware of the uprising fermenting within his own army, but his true fear is of something far more terrible – something that threatens to bring damnation upon him, his family and his country. Aleksandr cannot forget a promise: a promise sealed in blood … and broken a hundred years before.
Now the victim of the Romanovs’ betrayal has returned to demand what is his. The knowledge chills Aleksandr’s very soul. And for Aleksei, it seems the vile pestilence that once threatened all he held dear has returned, thirteen years later …

Despite a long period of reluctance towards vampires I picked Jasper Kent’s debut novel, “Twelve”, a while back with interest and it proved to be the right choice. As much as I enjoyed “Twelve” and I was looking forward to its sequel, “Thirteen Years Later”, with a constantly growing personal library it took me longer than I expected to start reading the second novel in Jasper Kent’s “The Danilov Quintet”.

1825 finds Russia in the brink of tumultuous changes and Aleksei Ivanovich Danilov is found in the middle of it. However, not only the present keeps Aleksei’s hands full, but also the past with which he tries to find a small portion of peace and which will come alive again in an unexpected and surprising manner. The events that took place thirteen years ago come back into focus and Aleksei finds himself staring directly into his past. The readers unfamiliar with the respective events will find no problem in keeping pace with them, because Jasper Kent keeps track of the past story, without leaving anything aside for the new readers, but also without impending the reading of the present story for those who know them, introducing Aleksei’s past gradually.

I remembered Aleksei Ivanovich Danilov as a pleasant character and this aspect didn’t change. The years have passed over him, but that is only naturally and fortunately Jasper Kent keeps the natural course of life into account when he develops the main character of “Thirteen Years Later” further on. This aspect, but not only, makes Aleksei such a believable character. His interaction and relationships with the other characters add to the construction of his character. Especially those concerning his wife, lover, son, ruler and enemy enforce the outline of the “Thirteen Years Later” main protagonist. He is not a perfect character, but he has enough power to become a memorable one.

“Thirteen Years Later” has two prevailing ingredients, the historical and the speculative. Jasper Kent manages successfully to sustain both of them and to mix them when necessary without altering the result. The speculative aspects make their presence felt more than in the previous novel, “Twelve”, taking the place into the spotlight more often. There are few surprises that enrich the speculative elements, but also a few predictable ones that can be easily guessed. The historical part of the novel is very well executed. There is not one point in which I felt that the setting is misplaced and the story forced to fit the period when it’s taking place. “Thirteen Years Later” gravitates around the legend of the Alexander I of Russia’s mysterious death and Jasper Kent offers the reader his vision on the matter. The historical anxiety Russia passed in December 1825 is excellently captured and with great talent. The mix with the speculative elements of the plot gives Jasper Kent’s story a new dimension and an original interpretation for the legend of Alexander I’s death.

However, on both main ingredients of “Thirteen Years Later” there were a couple of things that didn’t fit into the story very well for me. First of all is the ease with which Aleksei confines in the tsar’s doctors about the voordalaki and the speed with which these two accept the supernatural presence doesn’t seem exactly right. Also, Jasper Kent doesn’t manage to raise the character of Aleksandr Pavlovich Romanov at any moment to the height where the ones surrounding the tsar elevates him to. Another uncomfortable side of the novel is its pace. As I said the readers unfamiliar with the story of “Twelve” and which has a major role in “Thirteen Years Later” will find themselves in no difficulty, because Jasper Kent introduces them to the past events. Although there are no long passages of recollections impeding the reader the past events are mentioned too often and the result is a constant break into rhythm of the story, slowing down its development. It will be an injustice to say that “Thirteen Years Later” is entirely slow though. Split into three sections the novel gathers momentum in each of its parts and each of the three final parts end in action scenes very well paced.

“Twelve” was a wonderful surprise for me at the time of its publication, but “Thirteen Years Later” didn’t rise to the same level with its predecessor. Still, I enjoyed Jasper Kent’s “Thirteen Years Later” for its historical flavor, supernatural twist and hard tried protagonist, Aleksei Ivanovich Danilov. Therefore, I will gladly buy a ticket for the upcoming ride in Jasper Kent’s “The Danilov Quintet”, “The Third Section”.

Wednesday, August 3, 2011

Title spotlight - "A Book of Horrors" edited by Stephen Jones

Stephen Jones starts his new anthology, “A Book of Horrors”, wondering about the present situation of the horror genre: “What the hell happened to the horror genre? Whatever happened to menacing monsters, vicious vampires, lethal lycanthropes, ghastly ghosts and monstrous mummies? These days our bloodsuckers are more likely to show their romantic nature, werewolves work for covert government organisations, phantoms are private investigators and the walking dead can be found sipping tea amongst the polite society of a Jane Austen novel.”

I have to say that these days, for me, vampires and zombies are totally lost. I very rarely tend to pick a book up that feature these creatures, mainly because their romantic side looks very odd and unappealing for me. Well, I also have to admit that I don’t mind a few hard boiled, monster private investigators, but only occasionally and I do hope that this doesn’t turn into a fashion as well, because I will see myself running away from it too in that case.

But this time there is no room for the soft part of these creatures, instead Stephen Jones, one of the most prolific editors of the horror fiction, brings this genre back on his rightful track. “A Book of Horrors” is an original anthology of horror and dark fantasy and features some heavy names in its line-up, such as Stephen King, Ramsey Campbell, Reggie Oliver, Michael Marshall Smith, Elizabeth Hand, Richard Christian Matheson, Caitlín R. Kiernan and John Ajvide Lindqvist, just to name a few. Stephen Jones’ “A Book of Horrors” will be hosted by the newly formed imprint of Quercus Books, Jo Fletcher Books, ran by the excellent former Associate Publisher of Gollancz, Jo Fletcher, and scheduled to be released around Halloween. However, Stephen Jones’ “A Book of Horror” comes in two limited editions as well, co-published by Cemetery Dance Publications and PS Publishing, one thousand copies signed by Stephen Jones and Les Edwards (who made yet another awesome cover) and one hundred copies of the traycased edition signed by all the contributors. I am not sure if I can afford one of these limited editions, certainly not the traycased edition, but I would certainly pick a copy of Jo Fletcher Books edition, because Stephen Jones’ “A Book of Horrors” looks too good to be passed by.

Open this book at your own peril! That is because this volume is exactly what it say on the cover—A Book of Horrors contains all-original stories by some of the most successful and exciting names in modern horror fiction. For the first time in many years, here is an original anthology of horror and dark fantasy in all its many and magnificent guises—from classic pulp-style tales of Dark and Stormy Nights, through more contemporary and psychological terrors, to the type of cutting-edge fiction that only the very best horror fiction can deliver. Brought together from around the world by World Fantasy Award-winning editor Stephen Jones, one of Britain's most acclaimed and experienced anthologists of horror fiction, here are many of the authors who have helped shaped the genre in all of its forms, along with terrifying tales of unease by a new generation of storytellers devoted to the Dark Side. But be warned: once you begin to delve within these pages, your imagination and senses will be assaulted by terrors both grim and gruesome, literary and lethal, that will stay with you long after you have closed its covers and tried to put aside the images and situations which have wormed their way deep within your mind. Don't blame us for the bad dreams or cold sweats that these tales will induce. We did tell you—this is A Book of Horrors, and once you open it there is no way that these scarifying stories will ever be forgotten... no matter how much you wish that the nightmares will just go away!

“Introduction: Whatever Happened To Horror?” by Stephen Jones
“The Little Green God of Agony” by Stephen King
“Charcloth, Firesteel and Flint” by Caitlín R. Kiernan
“Ghosts With Teeth” by Peter Crowther
“The Coffin-Maker’s Daughter” by Angela Slatter
“Roots and All” by Brian Hodge
“Tell Me I’ll See You Again” by Dennis Etchison
“The Music Of Bengt Karlsson, Murderer” by John Ajvide Lindqvist
“Getting It Wrong” by Ramsey Campbell
“Alice Through The Plastic Sheet” by Robert Shearman
“The Man In The Ditch” by Lisa Tuttle
“A Child’s Problem” by Reggie Oliver
“Sad, Dark Thing” by Michael Marshall Smith
“Near Zennor” by Elizabeth Hand
“Last Words” by Richard Christian Matheson

Monday, August 1, 2011

2011 World Fantasy Awards nominees

The 2011 World Fantasy Awards nominees have been announced, together with the winners of the Lifetime Achievement Award.

Angélica Gorodischer and Peter S. Beagle are the winners of the 2011 World Fantasy Lifetime Achievement Award. I am especially thrilled for Miss Gorodischer’s award since I loved her collection “Kalpa Imperial” published by Small Beer Press and I hope that this award will make available in English other works of her as well.

The nominees for the World Fantasy Awards, due to be presented at World Fantasy Convention held in San Diego CA between October 27th and 30th, are:

BEST NOVEL:
“Zoo City” by Lauren Beukes (Jacana South Africa; Angry Robot)
“The Hundred Thousand Kingdoms” by N.K. Jemisin (Orbit)
“The Silent Land” by Graham Joyce (Gollancz; Doubleday)
“Under Heaven” by Guy Gavriel Kay (Viking Canada; Roc; Harper Voyager UK)
“Redemption In Indigo” by Karen Lord (Small Beer)
“Who Fears Death” by Nnedi Okorafor (DAW)

BEST NOVELLA:
“Bone and Jewel Creatures” by Elizabeth Bear (Subterranean)
“The Broken Man” by Michael Byers (PS)
“The Maiden Flight of McCauley’s Bellerophon” by Elizabeth Hand (Stories: All-New Tales)
“The Thief of Broken Toys” by Tim Lebbon (ChiZine Publications)
“The Mystery Knight” by George R.R. Martin (Warriors)
“The Lady Who Plucked Red Flowers beneath the Queen’s Window” by Rachel Swirsky (Subterranean Summer 2010)

BEST SHORT FICTION:
“Beautiful Men” by, Christopher Fowler (Visitants: Stories of Fallen Angels and Heavenly Hosts)
“Booth’s Ghost” by Karen Joy Fowler (What I Didn’t See and Other Stories)
“Ponies” by Kij Johnson (Tor.com 11/17/10)
“Fossil-Figures” by Joyce Carol Oates (Stories: All-New Tales)
“Tu Sufrimiento Shall Protect Us” by Mercurio D. Rivera (Black Static 8-9/10)

BEST ANTHOLOGY:
“The Way of the Wizard” edited by John Joseph Adams (Prime)
“My Mother She Killed Me, My Father He Ate Me” edited by Kate Bernheimer (Penguin)
“Haunted Legends” edited by Ellen Datlow & Nick Mamatas (Tor)
“Stories: All-New Tales” edited by Neil Gaiman & Al Sarrantonio (Morrow; Headline Review)
“Black Wings: New Tales of Lovecraftian Horror” edited by S.T. Joshi (PS)
“Swords & Dark Magic” edited by Jonathan Strahan & Lou Anders (Eos)

BEST COLLECTION:
“What I Didn’t See and Other Stories” by Karen Joy Fowler (Small Beer)
“The Ammonite Violin & Others” by Caitlín R. Kiernan (Subterranean)
“Holiday” by M. Rickert (Golden Gryphon)
“Sourdough and Other Stories” by Angela Slatter (Tartarus)
“The Third Bear” by Jeff VanderMeer (Tachyon)

BEST ARTIST:
Vincent Chong
Kinuko Y. Craft
Richard A. Kirk
John Picacio
Shaun Tan

SPECIAL AWARD, PROFESSIONAL:
John Joseph Adams, for editing and anthologies
Lou Anders, for editing at Pyr
Marc Gascoigne, for Angry Robot
Stéphane Marsan & Alain Névant, for Bragelonne
Brett Alexander Savory & Sandra Kasturi, for ChiZine Publications

SPECIAL AWARD, NON-PROFESSIONAL:
Stephen Jones, Michael Marshall Smith, & Amanda Foubister, for Brighton Shock!: The Souvenir Book Of The World Horror Convention 2010
Alisa Krasnostein, for Twelfth Planet Press
Matthew Kressel, for Sybil’s Garage and Senses Five Press
Charles Tan, for Bibliophile Stalker
Lavie Tidhar, for The World SF Blog

Congratulations and good luck to all the nominees!